The Good Fairy is a charming and delightful comedy that finds director William Wyler operating in Ernst Lubitsch-land -- and seeming a bit uncomfortable doing so. Although his direction is good, it feels a bit forced; on a project in which a light and effortless hand is needed at the helm, this has the effect of muting some of the comedy. Fortunately, Preston Sturges' screenplay is so full of amusing situations, witty and flavorful dialogue, and finely observed characters that the slightly off-key direction doesn't really matter. The film is also helped immeasurably by the enchanting Margaret Sullavan, whose charm is always laced with just enough acid to keep her characters from becoming vapid or one-dimensional. Sullavan is at her best here, more naïve than in some of her later roles, and a total delight. She is aided by a marvelous supporting cast, with Frank Morgan displaying his usual excellent comic timing and Beulah Bondi and Eric Blore adding their distinctive personalities into the mix. While The Good Fairy is not as frothy and light as it wants to be, it still manages to float along very nicely.