The classic Greek tragedy Hippolytus may seem an odd choice for the likes of Melina Mercouri and Anthony Perkins, but this is not your grandfather's version of the story. Jules Dassin has updated the tale to modern times, finding apt counterparts for ancient royalty in the world of wealthy shipping tycoons, and giving the proceedings a contemporary feel that doesn't negate the tragic aspects of the story. In these circumstances, Mercouri and Perkins are ideally cast and indeed give wonderful performances. Mercouri exudes sensuality, of course, but she's much more sophisticated and tempestuous than one might expect; she brings a spontaneous complexity to the role that is refreshing. Perkins is appropriately tortured; his neurotic quality is expected, of course, but there's an intensity to it here that is beautiful, and his mad scene is exceptional. Equally important, there's a palpable chemistry between them, and the fireside seduction scene is one of the most erotic sequences ever caught on film. (This moment is greatly aided, as if the whole movie, by the evocative Mikis Theodorakis score.) Unfortunately, Dassin doesn't quite know when to pull back, and he too often directs with a heavy hand, weighing the film down at inappropriate moments. Despite this flaw, Phaedra is a powerful, unforgettable film.