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One of the finest films ever made about the "Lost Generation," The Last Flight is so immersed in that generation that it feels as if Hemingway or Fitzgerald should have had a hand in it. Yet all the giants associated with the era are nowhere to be found; this exceptional film is the work of writer John Monk Saunders and, more surprisingly, director William Dieterle. It's a penetrating, incisive work that manages to be both bleak and nihilistic without becoming pretentious or enervating. While a heavy sense of melancholy hangs over the film, tinged with an undercurrent of despair, Flight never becomes labored. Its characters are souls that are weighted down and, for most of them, on an inexorable march toward destruction, but their unconscious fascination with a Death Wish doesn't force the film to become an ordeal. Instead, one cares deeply about these people, mourns even as they reach their expected ends, and feels triumphant at the implied relative happiness that awaits those who manage to survive the dark nights of their own souls. Dieterle directs with extreme sensitivity and taste; it's far and away his best work and makes one wish he had created more works in a similar vein. The cast is all good, with special mention going to Helen Chandler's Nikki.