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• Season 1:
• The unedited Spyz movie that Ali G pitched in Hollywood
• Footage of Borat at the Hamptons Horse Show and the American patriotism event
• Audio commentary
• Season 2:

• Don't Knock Yourself Out - Feature-Length Documentary Chronciling the Production of The Prisoner, Told by Those Involved in it's Creation
• Two Brand-New Featurettes- The Pink Prisoner and You Make Sure It Fits!
• Promo for AMC's The Prisoner Miniseries

The Twilight Saga’s second installment finds Bella (Kristen Stewart) and Edward (Robert Pattinson) feeling pretty good –- or at least a little less broody -- about the state of things after having ironed out some of the finer points of interspecies dating. Naturally, it doesn’t last long. Bella’s 18th birthday party turns into a bit of a fiasco when Edward’s brother nearly kills Bella in a fit of bloodlust. It’s an awkward situation, to be certain, but while Bella is willing to forgive and forget, Edward elects to leave town -– permanently. The decision sets off a chain of miscommunications that lead to, among other things, cliff diving, a visit with vampire royalty, a supernatural love triangle, and a close call with a scorned vampire (Rachelle Lefevre) whose mate met a gory end at the hands of the Cullens.

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Filmmaker John Hughes, the director of such teen-centric classics as The Breakfast Club, Sixteen Candles, and Ferris Beuler’s Day Off, died today at the age of 59. Hughes passes just as a series of celebrity deaths have reminded us how nothing inspires geyserous outpourings of nostalgia like the mortality of our former heroes. But I think it’s fair to say that Hughes’ work has continued to inspire the same steady stream of deeply personal affection from its viewers since day one.

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