A superbly written and acted film based loosely on real-life events, this intense crime drama is a major artistic success for all concerned, especially stars Christopher Walken and Sean Penn in two of their best roles, as well as screenwriter Nicholas Kazan and director James Foley. The latter's style might strike some viewers as too cool, remote, or austere, but this nearly documentary-like approach allows the cast room to stretch and improvise while slyly emphasizing the picture's similarity to the classic In Cold Blood (1967). However, the film is definitely not a docudrama, the director reminding viewers of the emotionally potent subtext with subtle, symbolic transitions in which such incongruous, attention-getting images as bound chicken talons or singing lips suddenly appear. His is the art of transcending the establishing shot by going for something a little more penetrating. Walken and Penn are marvels of nuance employed in the arts of linguistic inflection and the physicality of inhabiting a character with one's entire body, from the way they laugh to how they walk. (Just watch Penn as he shifts from a cocky swagger that emanates down from his shoulders, moving like nothing so much as a suit buoyed by a massive hanger, to a defeated, slump-shouldered shuffle by the finale). Kazan goes light on dialogue but what's there is charged with unspoken meaning, while visual cues and arresting images tell the story. All of this shows the mark of a great screenwriter enjoying a meeting of the minds with a director who gets it. At Close Range (1986) is one of the best examples of its genre from the 1980s.