Arguably director Nicolas Roeg's most enduring success, Walkabout is a complex, poetic cinematic experience. Roeg's overactive sense of symbolism is well-suited to the films themes of loneliness, alienation and social consciousness. Walkabout retains the director's offbeat style -- very little dialogue, shifting points of view, graphic, often shocking images, and an almost misanthropic world view -- but has a coherence and emotional depth missing from much of his later work. Though film's plot is often fascinating, it is Roeg's use of the camera -- both in broad strokes and minute observations -- that propels the film. He treats his characters as just one aspect of the sumptuous beauty and horror at play in the Australian outback.