Synopsis by Jonathan Crow
Imaginary Z-grade 1960s exploitation film producer Morty Fineman (Jerry Stiller), who was responsible for such faux-works as Buddy Cops V: Hayseed and Toughnut, sci-fi blaxploitation flick The Foxy Chocolate Robot, and, of course, Heil Titler , is the focus for this mockumentary co-written and directed by Stephen Kessler). While Fineman struggles to make his latest effort, Ms. Kevorkian, about a gun-toting babe who's passionate about assisted-suicide, the bank wants to foreclose on his hallowed studio and sell his film archive for $8 a pound. In absolute desperation, he reaches out to his estranged daughter Paloma (Janeane Garofalo), who grudgingly agrees to be the president of his production company in spite of numerous moral qualms. Along the way, the film features interviews with such real-life luminaries as Peter Bogdanovich, Roger Corman, and blaxploitation stalwart Fred Williamson, that paints a picture of a relentlessly gung-ho producer whose work somehow manages to rise above nothing budgets and lackluster talent. They also highlight Fineman's penchant for hitting on his leading ladies; Karen Black recalled one incident by noting, "It helped to be drunk." This film was screened at the 2000 South By Southwest Film Festival.
career, filmmaker, independent-filmmaking