What viewers can learn from The Brylcreem Boys is surprising: (1) the Republic of Ireland maintained a Second World War POW camp housing American, Canadian, British, and German soldiers from downed planes or wrecked boats; (2) Jean Butler, that lithe lass of Riverdance fame, can act--passably, at least; and (3) a low-budget, nonviolent film (except for fisticuffs) can be entertaining. True, two British newspapers, The London Daily Mail and The London Evening Standard, lambasted this film as bosh after it debuted in 1997. So what else is new? Was there ever a time when the British liked anything Irish? Although the production was filmed on the Isle of Man off the northwest coast of England, the POW's were actually held at Curragh Prison, an internment camp near the town of Naas, about 25 miles from Dublin. Generally, the motion picture comes under the heading of "antiwar film" because it depicts, in microcosm, bitter enemies who learn to co-exist. But it contains nice touches of romance, droll humor, and suspense. There is also a nasty Irish taskmaster ever ready to fell malcontents with the butt of his rifle. Apparently, he is the token sadist meant to demonstrate that neutral Irishmen could be just as reprehensible as Axis and Allied bullies. The acting is generally good, including the performances of co-producer Gabriel Byrne as Sean O'Brien, the commandant of the Irish prison; Bill Campbell as Miles Keough, a Canadian pilot and POW; Angus MacFadyen as Count Rudolph von Stegenbek, a German POW and flier who shot down Keough; and Jean Butler as Mattie Guerin, who does a dazzling Irish dance and is ogled by both Keough and Stegenbek. Because the Irish allow their inmates to go to town on passes, they can visit pubs, see horse races, and mingle with the locals. Then the day comes when some inmates plan to leave for good, and the suspense builds. The Brylcreem Boys is not a great film, but it is a good film that entertains while developing a serious theme.