Still Life (1997)
Directed by Harun Farocki
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Synopsis by Nathan Southern
The politically radical avant-garde filmmaker Harun Farocki takes the reins for this offbeat look at late 20th Century German society. In a not-so-thinly-veiled critique of Capitalist consumerism, Farocki draws jarring parallels between the still-life paintings of the Dutch masters, and contemporary advertisements for such products as beer, watches and cheese. The remainder of the film takes place in a contemporary advertising agency, where Farocki's cameras observe various executives creating "contemporary still-lifes." In the process, Farocki upends commonly-held perceptions of what constitutes art.
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Keywords
art, image [picture], still-life, advertising, artist