Synopsis by Nicole Gagne
By 1965, Jack Smith was exhibiting versions of Normal Love, mixing his soundtracks live and often re-editing the film as it was being shown. After Smith's death, Jerry Tartaglia prepared this restored 105-minute version, which premiered in 1997. Although shot on backdated color-film stock and paced more languidly than Flaming Creatures, Normal Love again features women and cross-dressed men in an idyll of sexual anarchy. Smith filmed almost entirely outdoors, emphasizing pinks and greens in the scenery, costumes, and props, and combining textural passages with allusions to film icons such as the Mummy and the Werewolf, Maria Montez, and Busby Berkeley. The inspired finale is set atop a massive pink cake (where the dancing Cake Cuties include Andy Warhol). The Yellow Sequence, an additional 20 minutes of footage -- in which gold tones predominate and the players include Tiny Tim -- was also restored by Tartaglia as an addendum to Normal Love, and the two films are inevitably shown together under the single title.