Synopsis by Hal Erickson
The confident direction of Allan Dwan transformed The Mad Hour into something more than a mere "soap opera." Based on a novel by Elinor Glyn (the Barbara Cartland of her time), the story concerns a hasty marriage and a long, long repentance. While drunk on bootleg hootch, good-time girl Cuddles (Sally O'Neil) and college-boy Jack (Donald Reed) get married. Jack's wealthy father instantly disowns the boy, while Cuddles finds herself falsely accused of a jewel theft. While serving her prison term, Cuddles gives birth to Jack's baby, only to discover upon her release that her marriage has been annulled and her kid is illegitimate in the eyes of the law. Throwing caution to the winds, the grief-crazed Cuddles hops into a roadster and speeds off a cliff to her death -- while Jack quietly marries his former sweetheart Aimee (Alice White), the expression on his face indicating that he will be tortured with guilt for the rest of his life. The moral: Alcohol and Wedding Bells Don't Mix.
alcoholism, disinheritance, false-accusation, guilt, imprisonment, jewel, marriage, pregnancy, repentance, robbery, student, suicide