AllMovie

Told in subtle, novelistic detail and impeccably acted, Lush is a joy to pay close attention to. The rewards are bountiful for those who care to make the effort. There's a wonderful moment that indicates what level writer/director Mark Gibson is working on: Ex (a doleful Scott Campbell) studies the paintings and photos in the living room of down-and-out attorney Firmin (Jared Harris, who absolutely nails his role); Ex wonders aloud what the images have in common. And then it dawns on him -- they're paintings and photos of famous suicide victims through the ages -- but he never gets to say it as the scene ends, and Firmin passes out. The photos obviously hint at something deep in the Firmin character, and it becomes a plot point later on, but until then, the viewer has to hold onto this detail -- and assorted others -- in order to apply it later. It's not every movie that refuses to spell out everything, challenging the viewer to do it for themselves, and the ones that do are to be treasured. Lush, which perfectly captures the tone of New Orleans' people and places, has a European sensibility to it as each scene builds toward characters, not events, and while it's a smart film, it's not obtuse or self-possessed. Dotted with dozens of delicate grace notes and quirky minor players, the movie makes you feel like you've read it instead of seen it.