As far as comic adaptations go, Sin City is an unprecedented book-to-screen translation that's locked, loaded, and rip-roaring ready to introduce movie audiences to the mad genius that is Frank Miller. By meticulously re-creating the acclaimed comic creator's most personal work, co-director Robert Rodriguez has given Miller's creation the chance to live and breathe using the exact hard-nosed dialogue and iconic camera shots from the acclaimed graphic novels. The end result is a mad brushstroke of digital filmmaking that is risqué enough to be considered bold, while palatable enough for exploitive entertainment purposes. It remains to be seen what the unprepared masses will think of Sin City -- in fact, there couldn't be a better, more PC time for the flick to hit. Basically a slap in the face to neo-conservative ideals, the film is so full of gleeful graphic violence and raw, steaming sexuality that there's sure to be some kind of backlash somewhere. The cast is a knockout, with major kudos going to Mickey Rourke, Rosario Dawson, Benicio Del Toro, and even a smaller, supporting appearance by Rutger Hauer as they fulfill their inspired casting choices and take delicious delight in this world of corruption and sleaze. The stark black-and-white visuals are the real star here though, merging film noir sensibilities and dynamic comic panel storytelling with the help of a heap-load of computer graphics and inventive filmmaking to create something that's new, raw, and refreshing. Additionally, the direct translation is both exciting and a bit jarring, lending an unusual pace that you don't see in modern cinema; just as the gusto violence will turn off many and probably create more cynics in the critical circles, so too will the film continue to polarize its viewers due to its experimental nature. Comparisons will no doubt be drawn between the page and screen for years to come, which might hurt the film simply because it is an adaptation and no matter how direct a translation it is, there's bound to be things that are lost in the process. Still, after years of being jerked around in Hollywood, Miller is finally given the tools to strut his stuff on the big screen and, love it or leave it, perfect or not, that's exactly what Sin City is.