While not as well known today as Nosferatu or The Last Laugh, Faust is perhaps director F.W. Murnau's masterpiece; few films by any director can match it for the sweeping impact and beauty of its visuals or the power of its storytelling. Murnau approaches Goethe's tragedy of a man who learns all too well the price of his soul with appropriately broad dramatic strokes, and if the effect seems a bit over the top in the early reels, it hits with full melodramatic force at the end; the full, horrible impact of Faust's comeuppance is as disturbing today as it was in 1926. Gosta Ekman is fine as the luckless Faust and Emil Jannings is brilliant as Mephisto, the embodiment of cunning and evil. And the camerawork by Carl Hoffman and production design by Robert Herlith and Walter Rohrig are nothing short of astounding, creating a brilliantly controlled and beautifully painterly visual sense that's the ideal backdrop for this fable. Anyone who thinks of silent films as sluggish and amateurish has obviously never seen Faust; the home video release on Kino compliments the film's striking visuals with a superb original score by the American composer Timothy Brock that's worthy of attention on its own merits.