Kasey Rogers is best known for her four seasons portraying Louise Tate, the wife of advertising-agency boss Larry Tate (David White), on Bewitched. Between 1949 and 1964, however, she also appeared in nearly two dozen movies under the name Laura Elliot, ranging from leading roles to uncredited support parts, by filmmakers from Alfred Hitchcock down. Additionally, she was in over 200 episodes of the prime-time soap opera Peyton Place between 1964 and 1968. She was born Imogene Rogers in Morehouse, MO, in 1926, and began studying acting, elocution, and music at age seven. For a time, however, Rogers' most visible attribute was her prowess with a baseball bat, which earned her the nickname "Casey." It stuck, with a little change in the spelling, and she continued using it as an adult. Shortly after World War II, Rogers was spotted by a talent scout and got a screen test at Paramount Pictures. She was signed up, given the name Laura Elliot (sometimes spelled Laura Elliott), and put into her first movie a week later. Her early appearances included such major films as Chicago Deadline, Samson and Delilah, and The File on Thelma Jordan; she also got a leading role, on loan-out, in the fantasy adventure film Two Lost Worlds (1950), in which she played the female lead opposite James Arness. Rogers later recalled that film (which mixed a pirate story and dinosaurs) as being every bit as confusing to make as it is to watch, with one of the characters' names even changing midway through.
As it happened, 1951 was Rogers' big year in movies; she got her biggest role in the most enduringly popular film of her career, playing Farley Granger's estranged wife in Alfred Hitchcock's Strangers on a Train. Her character, wearing glasses with lenses as thick as the base of shot glasses (so thick that, 50 years later, she recalled not even being able to see through them), is murdered by the cold-blooded psychopath portrayed by Robert Walker. She also appeared in George Stevens' A Place in the Sun, Rudolph Maté's classic sci-fi drama When Worlds Collide, the Bob Hope vehicle My Favorite Spy, and the Western Silver City. From there, however, Rogers receded to lesser movies such as The French Line and About Mrs. Leslie (both 1954). Starting in 1955, she was making regular appearances on television, alternating between the names Laura Elliot (or Elliott) and Kasey Rogers, across a range of programming that included Westerns such as Lawman, Bat Masterson, Trackdown, and Wanted: Dead or Alive, the dramatic anthology series Alcoa Presents, Goodyear Theater, and Stage 7, and the crime dramas Perry Mason and Richard Diamond, Private Detective.
Rogers' first regular television role was on the night-time drama Peyton Place (1964-1968) as Julie Anderson, the mother of Barbara Parkins' Betty Anderson, the soap opera's resident bad girl. Rogers left the series in 1968 and was immediately offered the role of Louise Tate on Bewitched, which had previously been played by Irene Vernon. She was forced to cover her dark auburn hair with a black wig for the first few seasons so that she resembled her predecessor, and it was only at the end of the run that her own hair was revealed. Regardless of her coloring, however, she made a charming, funny, gorgeous, and unique TV "trophy wife" amid a decade of pretty, wholesome TV moms. Rogers has remained active intermittently as an actress and has pursued a writing career as well, including screenplays and a cookbook built around Bewitched as a thematic link. She appears at nostalgia conventions under both of her screen names, using Laura Elliot (the name under which she did most of her oaters) at Western shows and Kasey Rogers at television-oriented events.
