MGM regularly churned out films in the 1930s that were all "star power" and very little plot. No More Ladies is a good example of this. Joan Crawford marries bon vivant Robert Montgomery, hoping to mend his wastrel ways. Montgomery refuses to assumes the proper responsibilities of a husband, so Crawford tries to make him jealous by taking up with Franchot Tone. Everyone involved has limitless money, beautiful clothes and all the time in the world to spend on the trivialities of the plotline. Depression era audiences loved to see good-looking people in sumptuous sets, so No More Ladies was a success. The fact that, when asked, these audiences couldn't remember a single thing about the story was beside the point.
by Hal Erickson synopsis