This production of the Bard of Avalon's famous stage comedy is based on a successful Australian stage production from the mid-1980s. It is a story of love, shipwreck, disguises and mistaken identities, and relies for much of its wit (and believability) on the willing suspension of disbelief. This is, by all accounts, much more easily achieved in the live theater than on film, which is such an intensely visual and "realistic" medium. Thus, the mistaken identify of the twins Viola and Sebastian, the crux of the plot, becomes somewhat difficult to credit when the role is played by the impeccably feminine Gillian Jones -- despite which, Ms. Jones won great praise from the critics for her acting. Aside from that small complaint, this is a spirited and lively production which is set in a present-day never-never land, performed by some of the keenest thespians on any side of the globe.
by Clarke Fountain
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