Written and produced by its star, Donald Barry, Train to Tombstone was a low-budget version of the classic Stagecoach (1939). Once again a group of passengers fight among themselves as their mode of transportation -- a train en route from Albuquerque, NM, to Tombstone, AZ, this time -- is attacked by warring Indians. Author Barry was rather more fanciful than his predecessor, Dudley Nichols, however, and in addition to the inevitable saloon girl (Nan Leslie), the train also carries other characters: a pretty paraplegic (Barbara Stanley), whose illness may be psychological in nature; her indomitable aunt (Minna Phillips); a handsome doctor (Tom Neal); a comic relief women's undergarment salesman (Wally Vernon); a jittery conductor (Edward Cassidy); a marshal (Claude Stroud) guarding a shipment of gold; and, of course, Barry himself in the John Wayne role of the wanted but goodhearted outlaw. In due course, the train is attacked by what appears to be Indians, but what in reality is a gang of outlaws determined to get their greedy hands on the loot. Neither the marshal nor Barry are what they appear to be, the latter actually an undercover agent assigned to protect the shipment. The beautiful paraplegic is on her way to meet the fiancé she has never even seen and who, it is revealed, is in cahoots with the gang. Does the trauma of witnessing the boy killed right before her eyes cure the girl? Why, of course it does.
by Hans J. Wollstein synopsis