review for The Last Metro on AllMovie

One of France's greatest and most popular filmmakers, François Truffaut was never as overtly political as his contemporary Jean-Luc Godard. Truffaut was the subject of some criticism for his apolitical stance, particularly amidst the social upheaval of the 1960s; his response to the idea that art should have an expressly political purpose did not come until the end of his career, with 1980's Le Dernier Métro (The Last Metro). The story of a working theater and its players during the Nazi occupation of Paris, the film examines the nature of art and how it interacts with political commitment. The film is the director's final notable work before his death in 1984, and unlike Louis Malle and his occupation-era movie Au Revoir Les Enfants, Truffaut never goes for a straight-out emotional punch; he's more self-conscious. The film was a significant hit at the time -- no wonder, considering the collection of talent involved in its making. In front of the camera were two of France's most respected stars, Catherine Deneuve (Belle de Jour, The Umbrellas of Cherbourg) and Gérard Depardieu (Cyrano de Bergerac), and film was shot by the extraordinary Nestor Almendros (My Night at Maud's, Days of Heaven).