A film that screams "product of its time," The Holy Mountain was Alejandro Jodorowsky's dizzying elegy to the sex, drugs and spiritual awakening of the late 1960s and early 1970s -- a suitably bizarre follow-up to his El Topo (1971). Fascinating although it only fitfully makes sense, The Holy Mountain is beautifully shot and designed, and it suggests what might have resulted if Luis Buñuel, Michelangelo Antonioni, and George Romero had all dropped acid and made a movie together. A Christ-like vagrant and thief wanders through a perverse and unfriendly land until he encounters an enlightened one, who gathers the thief and six of the world's most powerful individuals for a spiritual pilgrimage. If that description sounds a bit sketchy, well, narrative isn't this film's strongest suit. But if you want to see the conquest of Mexico re-enacted by reptiles, soldiers shoot innocent people as birds fly from their wounds, and a wizard turn feces into gold, this is the movie for you.
by Mark Deming synopsis