Synopsis by Jason Buchanan
On the heels of such extravagant historical swordplay epics as Hero and House of Flying Daggers, Mainland Chinese director Zhang Yimou returns to the reins to tell this intimate tale of an aging father who attempts to remedy a longstanding rift with his grown son. Summoned to Tokyo by his daughter-in-law, Rie (Shinobu Terajima), village fisherman Gou-ichi Takata (Ken Takakura), arrives at a city hospital to find his son, Ken-ichi (Kiichi Nakai), bedridden by liver cancer. Though Gou-ichi attempts to use the visit as a catalyst to heal a decade-long dispute between the pair, stubborn Ken-ichi rejects his father's attempt at reconciliation outright. Subsequently handed a videotape by Rie before departing back to the countryside, Gou-ichi returns home unsuccessful in his efforts to build a bridge of peace between himself and his ailing son. Upon watching the videotape, a research project exploring the Chinese folk arts that was shot by Ken-ichi in the Southern province of Yunnan, Gou-ichi is oddly affected by the onscreen failure of his son in convincing well-known opera singer Li Jiamin (playing himself) to perform the titular song, a classic operatic piece espousing the values of friendship. Now determined to travel to Yunnan and videotape the performance that his son could not, Gou-ichi embarks on a life-changing quest that will not only give him a greater understanding of the relationship between himself and his own son, but set into motion a healing process that will also have a profound impact on the troubled opera singer and the man's long-lost illegitimate son as well.
cancer, healing, opera-singer, quest, reconciliation, video-tape