(1930)
4
Lucia Bozzola
Director Josef von Sternberg transfers Marlene Dietrich's siren singer persona to northern Africa in their first American collaboration, pairing her with Foreign Legionnaire Gary Cooper. Dietrich's Amy Jolly is an sensuous figure of desire and mystery amid von Sternberg's signature mise-en-scene of lushly exotic surroundings, layered shadows, and gauzy fabrics. Her first nightclub performance exudes an androgynous eroticism that would define her star persona: although she eventually sacrifices everything to follow Cooper's Tom Brown across the visually arresting desert sands, the tuxedo-clad Amy accepts a flower from a female admirer and nonchalantly kisses her on the lips before tossing the flower to an equally smitten (and beautified) Cooper. Along with the stunning imagery, von Sternberg inventively used sound to enhance the atmosphere, particularly when Amy makes her final decision between a rich man and the Legionnaire she loves. A box office success, Morocco earned Oscar nominations for von Sternberg, Hollywood newcomer Dietrich, Lee Garmes's alluring cinematography, and Hans Dreier's interior decoration, and helped keep Paramount Pictures afloat as the Great Depression hit Hollywood.
awards for Morocco on AllMovie
Morocco (1930)
Academy of Motion Picture Arts and Sciences
|
Nominated |
Best Actress
|
1930-1931 |
|
Nominated |
Best Art Direction
|
1930-1931 |
|
Nominated |
Best Cinematography
|
1930-1931 |
|
Nominated |
Best Director
|
1930-1931 |
Library of Congress
|
Won |
U.S. National Film Registry
|
1991 |
National Board of Review
