(1989) 2 Nathan Southern George Pan Cosmatos's Leviathan goes down as the single most derivative sci-fi horror hybrid of the past several decades. Just how derivative is it? Alien helmer Ridley Scott could have (and probably should have) sued the pants off of Cosmatos -- not simply for plagiarism, but for no-holds-barred copyright infringement. Every scene in this lackluster thriller may work on its own terms; in all fairness, Cosmatos demonstrates an apt ability to build tension and a deft hand for action scenes -- but the picture represents such a blatant steal from Alien that it must certainly have inspired scores of legal threats. (Not even Orca was this ripped-off.) The following elements feel cribbed, point-blank, from the 1979 Scott film: 1) the central premise of having a multiracial crew of men and women "picked off," one-at-a-time, by an unseen menace; 2) the set design of the ship; 3) the design of the central creature; 4) the criticism of multinational corporations that deliberately send experimental crews out on perilous missions and then abandon them to death's jaws; 5) the concept of having the creature consume the crew members from the inside out (remember the alien bursting through John Hurt's stomach?); 6) the notion of keeping the audience in a state of dread with "false attacks" on the crew; 7) the space suit worn by the protagonist in a "final battle" with the alien menace; 8) a mold-encrusted, insulting ending where the creature "is not really dead." "Insulting" is the operative word for the entire picture, in fact; surely Cosmatos and his screenwriters, David Peoples and Jeb Stuart, didn't believe that by changing the galactic environ to an aquatic one, viewers would overlook the similarities?! Peter Weller does okay as the barrel-chested lead (how refreshing to see him playing a hero here after his abusive monster in the godawful Firstborn) and the famously green-eyed Meg Foster is suitably vile (has she ever played otherwise?) as a representative of the home corporation. But Richard Crenna and the rest of the protagonists lack the charisma of Harry Dean Stanton, Veronica Cartwright, Yaphet Kotto, and the rest of the Nostromo crew. You want happiness? Stick with Ridley.

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Leviathan (1989)

Leviathan

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Violence
Questionable for Children
Adult Language

genres

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category

Feature

directed by

George Pan Cosmatos

countries

Italy, USA

release date

March 17, 1989 (USA)
September 22, 1989 (Italy)

run time

98 min.

produced by

Gordon Company, MGM, United Artists

released by

MGM/United Artists

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by Linda Rasmussen synopsis

Leviathan, a sci-fi thriller directed by George Pan Cosmatos, is the story of a group of scientists who discover a sunken Russian submarine which contains a monster that is the product of a genetic experiment. This film, a hybrid of both The Abyss and Alien, has a decent cast, including Peter Weller as Beck, the lead oceanographer. Working with a good budget, action director Cosmatos, should have been able to put together better action sequences and a more frightening monster, but he gives this derivative, silly film below-par special effects and no particular visual style. Leviathan, while it may entertain a less-sophisticated viewer, has little to offer fans of the genre who are looking for thrilling special effects.

characteristics

- Evil Aliens

- Terror In The Water

- Scuba

- Sea

- Sports

- Mutation

- Underwater

- Monster

- Geneticist

- Extraterrestrial

- Genetics

- Marines

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