(2003)5Perry SeibertFinding Nemo is a superb achievement on three distinct levels. First, the look of the film is gorgeous. The Pixar crew has created a fully realized underwater world. The colors are bright and entrancing, while the movement of the fish is so realistic that the viewer never for a second suspends belief. The story is beautifully structured. After establishing the relationship between Marlin (Albert Brooks) and Nemo (Alexander Gould), the film sets up the separate worlds they each inhabit (the ocean and the fish tank). The screenwriters have dreamed up creative plot points, formulating exciting obstacles (like the wrecking of a filtration system, a dangerous jellyfish zone, and a dentally challenged eight-year-old) that allow the film to maintain an exciting pace without sacrificing character or humor. Each member of the cast appears to have been hired for their skills as a performer more than for their name recognition. Brooks, DeGeneres, and Willem Dafoe all communicate real emotional truth in their characters, while such talented vocal performers as Stephen Root, Geoffrey Rush, and Barry Humphries lend pitch-perfect comedic support. Finding Nemo is an inventively written, gorgeously drawn, and perfectly acted animated film.