(1986)
4
Brendon Hanley
Though not as critically successful as his debut, Stranger Than Paradise, director Jim Jarmusch's Down By Law is a worthy follow-up in a similar vein. It features the same deliberate rhythm, off-beat characters, deadpan humor, and emphasis on photography (by the famed German cinematographer Robby Müller). Willfully original and intensely independent, the typical Jarmusch film isn't a product that mainstream audiences are likely to enjoy. He combines his enigmatic characters with the esoteric pacing and sensibility of his peer, Wim Wenders. Down By Law is slightly more accessible than Wenders' films, however, due to the slapstick presence of Roberto Benigni. Benigni's staccato voice and mincing of English clichés are very funny, though Jarmusch occassionally lets him run on too long. Luckily, the director keeps the rest of the film generally obtuse, uncertain and interesting.
Down by Law on AllMovie
Down by Law (1986)
