The last, to date at least, of George Romero's living dead films is in many respects the least interesting, although it's not for a lack of ambition. Set in a claustrophobic underground missile silo long after the zombies have taken over the surface, it populates its creepy milieu with two competing factions: soldiers and scientists. One party seeks a logical solution to the zombie problem, even going so far as to attempt to domesticate a soulful-looking walking corpse. The other seeks only survival. The most blatantly allegorical of the Dead films, it's also the muddiest and least resonant, with its attempt to connect its story to Reagan-era America coming off as too self-conscious when compared to its predecessors. Too talky by far, it comes alive in a gory finale, and while still memorable than most horror films, Romero fans have come to expect more from the director and his signature series.
by Keith Phipps review