There are far better-written musicals than Coney Island, but this little bit of nothing still manages to be a fairly captivating experience, at least as long as the lovely Betty Grable is onscreen -- which is fortunately most of the time. One of the era's most appealing performers, Grable is not always given her due nowadays, perhaps because her voice is very good but not unique (like Garland's) and likewise her dancing is never less than tops, but not really singular (like Ann Miller's or Rita Hayworth's). But Grable's personality and warmth are very much her own, and these personal qualities combine with her talent (and her legs) to create a force of cinematic nature that has a special magic. That magic is on display throughout Coney, turning a creaky musical into a lively vehicle. While she's a winner throughout, play special attention to her on "Cuddle Up a Little Closer" and "Lulu of Louisville," both of which she elevates to great heights. Grable gets good support from George Montgomery, operating in his best second-tier Clark Gable mode, and valuable comedic assists from Phil Silvers and Charles Winninger. Throw in some nifty dancing, fine direction and eye-catching Helen Rose costumes, and there's enough entertainment to make one overlook the sleepy screenplay.
by Craig Butler
review
