Amid the glut of gory horror films that clogged the cable schedules and cineplexes in the wake of Halloween and Friday the 13th, April Fool's Day stands out as a fairly restrained exercise in the '80s teen-slasher genre. Low on gore and high on suspense, it uses the boy-who-cried-wolf scenario inherent in its premise to keep the audience guessing as to where the practical jokes end and the body count begins. With her Sheryl Lee-like features and facial expressions, Deborah Foreman makes an appealingly off-balance scream queen, while the rest of the young cast puts a nicely personal stamp on what could have been a collection of college-age stereotypes. It helps that Hollywood vet Danilo Bach (Beverly Hills Cop) laces the script's sexual hijinks with actual character development and a few decent plot twists. Some creepy music and a few freaky set pieces add a visceral edge to a workmanlike film that spends more time playing mind games than it does spilling blood. When all is said and done, though, April Fool's Day has more roller-coaster thrills than most slasher flicks with five times the gore.
by Brian J. Dillard
review