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The youngest of the two Physioc brothers in early films, Wray Physioc (born Wray Bartlett Physioc) entered motion pictures as a scenic artist with the American branch of Pathé Freres. By 1915, he was directing for American Biograph and by the 1920s had become his own producer, operating out of New York City and experimenting with Technicolor. Few of Physioc's films were much above the ordinary, however, and he disappeared from credits following The Blonde Vampire (1922), a melodrama starring De Sacia Mooers, which apparently was released with some scenes filmed in two-color Technicolor.