Born in Dusseldorf just after the end of World War II, German film director Wim Wenders grew up with an insatiable appetite for American movies. Not all that interested in big-budget products, he, instead, developed a fascination with B-movies, notably melodramas and Westerns. After studying Medicine and Philosophy in his native country, Wenders took up art in Paris (a mecca for viewing American films), and then returned to his homeland to attend Munich's Academy of Film and Television. Like many of his French movie-fan brethren, Wenders began his career writing film criticism before directing a few short subjects of his own, and, in 1970, he and several other young filmmakers formed a production-distribution firm, Filmverlag Der Autoren. Summer in the City (1970) was Wenders' first feature film, but it was his 1973 adaptation of Nathaniel Hawthorne's The Scarlet Letter that first brought him attention outside of Germany. The film included many accomplishments, most notably coaxing a superb performance from Senta Berger as Hester Prynne, and managing to make the landscapes of Spain resemble 17th century New England.
At this point, Wenders began his road movie cycle, inspired by such American pictures as Easy Rider (1970) and Two-Lane Blacktop (1971). Three films in this genre followed in quick succession: Alice in the Cities (1974), The Wrong Move (1975), and Kings of the Road (1976). For his first English-language picture, The American Friend (1977), Wenders cast three of his American movie idols: actor Dennis Hopper (director/star of Easy Rider) and "cult" directors Nicholas Ray (Rebel Without a Cause) and Samuel Fuller (The Steel Helmet). Wenders would later co-direct Lightning Over Water (1980) with Ray.
Wenders' American-financed films Hammett (1980) and Paris, Texas (1983) were remarkable in their evocation of time and place, and the director could certainly have continued quite satisfactorily in Hollywood. However, he seemed to prefer activity in Europe, even though he was always one step ahead of his creditors -- especially when running his own studio, Gray City. Wenders' return to German filmmaking was rewarded in 1987 with the release of Der Himmel über Berlin, or Wings of Desire. The story of an angel who wants to become human after finding earthly love met with an enthusiastic international response, culminating in a slew of honors for Wenders (including a 1987 Cannes Best Director award, a 1988 European Film Academy award for Best Director, and a host of awards from the New York Film Critics Circle) and an eventual 1998 American remake, City of Angels.
In the 1990s, Wenders' love of on-the-road location filming was again manifested in such films as Until the End of the World (1991) (filmed on four continents and designed to be "the ultimate road movie"), and Faraway, So Close (1993), a marathon experience (which originally ran 164 minutes) wherein an angel wanders about to observe the changing scene in a newly unified Germany. In 1995, Wenders made a road movie of a different sort with Par-Dela Les Nuages/Beyond the Clouds, which he co-directed with legendary Italian director Michelangelo Antonioni. Set in various European countries, the film explored the vagaries of love and lust through the experiences of several principle characters. Receiving decidedly mixed reviews, it differed strongly from Wenders' next effort, Die Gebrüder Sklandanowsky/A Trick of the Light, a 1996 historical tribute to some of the more neglected developers of moving picture technology. Wenders returned to the States the following year with The End of Violence, a film that explored the effects of violence on the intertwining of people's lives. Featuring Bill Pullman, Andie McDowell, and Gabriel Byrne, it was not a great commercial or critical success, but Wenders did win acclaim the following year for The Buena Vista Social Club. A documentary about Cuban music, the film was the result of a successful collaboration between Wenders and musician Ry Cooder, who had previously supplied the score for the director's Paris, Texas.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
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Pina
Director, Producer, Screenwriter |
2011 | |||
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The Story of Film: An Odyssey
Participant |
2011 | |||
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If Buildings Could Talk
Director |
2010 | |||
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Yi Ye Tai Bei
Producer |
2010 | |||
|
8
Director |
2009 | |||
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The Open Road
Executive Producer |
2009 | |||
|
What Do You Know About Me?
Participant |
2009 | |||
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Dead On: The Life and Cinema of George A. Romero
Participant |
2008 | |||
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The Clone Returns Home
Executive Producer |
2008 | |||
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The Palermo Shooting
Director, Producer, Screenwriter |
2008 | |||
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Invisibles
Director |
2007 | |||
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To Each His Own Cinema
Director |
2007 | |||
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The Sons of Buena Vista
Director |
2006 | |||
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The Way I Spent the End of the World
Associate Producer |
2006 | |||
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Wanderlust
Participant |
2006 | |||
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Don't Come Knocking
Director, Executive Producer, Screen Story |
2005 | |||
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Musica Cubana: Live in Holland
Director, Producer |
2005 | |||
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Musica Cubana: Live in Tokyo
Producer |
2005 | |||
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Dennis Hopper: The Decisive Moments
Participant |
2004 | |||
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Edgar G. Ulmer: The Man Off-Screen
Participant |
2004 | |||
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Epreuves d'Artistes
Archival Appearance |
2004 | |||
|
Je T'Aime... Moi Non Plus
Participant |
2004 | |||
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Land of Plenty
Director, Screen Story, Screenwriter |
2004 | |||
|
Musica Cubana
Executive Producer |
2004 | |||
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1/2 Miete
Producer |
2003 | |||
|
Janela Da Alma
Participant |
2003 | |||
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Junimond
Producer |
2003 | |||
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Narren
Producer |
2003 | |||
|
The Blues: The Soul of a Man
Director, Screenwriter |
2003 | |||
|
Fassbinder in Hollywood
Interviewee |
2002 | |||
|
Ten Minutes Older: The Trumpet
Director, Screenwriter |
2002 | |||
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Viel Passiert: Der BAP Film
Director, Screenwriter |
2002 | |||
|
Jonas at the Ocean
Participant |
2001 | |||
|
The Million Dollar Hotel
Director, Producer |
2000 | |||
| 1999 | ||||
|
Willie Nelson: Teatro
Director |
1999 | |||
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Buena Vista Social Club
Director |
1998 | |||
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Go for Gold!
Producer |
1997 | |||
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The End of Violence
Director, Producer |
1997 | |||
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Die Gebrüder Skladanowsky
Director, Producer, Screenwriter |
1996 | |||
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Beyond the Clouds
Director, Screenwriter |
1995 | |||
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Die Nacht der Regisseure
Actor |
1995 | |||
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Lumière and Company
Actor, Director |
1995 | |||
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Lisbon Story
Director, Producer, Screenwriter |
1994 | |||
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Neues Deutschland
Actor |
1994 | |||
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Faraway, So Close!
Director, Producer, Screenwriter |
1993 | |||
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Schneeweissrosenrot
Actor |
1993 | |||
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Arisha, the Bear and the Stone Ring
Director, Screenwriter |
1992 | |||
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Until the End of the World
Director, Producer, Screenwriter |
1991 | |||
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Motion & Emotion
Actor |
1990 | |||
|
Notebook on Cities and Clothes
Actor, Cinematographer, Director, Screenwriter |
1989 | |||
| 1987 | ||||
|
Wings of Desire
Co-producer, Director, Screenwriter |
1987 | |||
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Yer Demir, Gok Bakir
Producer |
1987 | |||
|
King Kongs Faust
Actor |
1985 | |||
|
Tokyo-Ga
Director, Editor, Producer, Screenwriter |
1985 | |||
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Room 666
Director, Participant |
1984 | |||
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Paris, Texas
Director |
1983 | |||
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Der Stand der Dinge
Director, Screenwriter |
1982 | |||
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Hammett
Director, Screenwriter |
1982 | |||
|
Lightning Over Water
Actor, Conception, Director, Editor, Producer, Screenwriter |
1980 | |||
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Radio On
Associate Producer, Producer |
1979 | |||
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Les Cineastes Celebres
Actor |
1978 | |||
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The Long Shot
Actor |
1978 | |||
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The American Friend
Actor, Director, Screenwriter |
1977 | |||
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Kings of the Road
Director, Producer, Screenwriter |
1975 | |||
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Alice in den Städten
Actor, Director, Screenwriter |
1974 | |||
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Falsche Bewegung
Actor, Director |
1974 | |||
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Der Scharlachrote Buchstabe
Director, Screenwriter |
1972 | |||
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Die Angst des Tormannes beim Elfmeter
Actor, Director, Screenwriter |
1971 | |||
|
Polizeifilm
Cinematographer, Director, Editor, Screenwriter |
1970 | |||
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Summer in the City
Director |
1970 | |||
|
Alabama: 2000 Light Years
Director, Editor, Screenwriter, Sound/Sound Designer |
1969 | |||
|
Drei Amerikanische Lp's
Director, Editor, Voice |
1969 | |||
|
Silver City
Cinematographer, Director, Editor, Producer, Screenwriter |
1969 | |||
|
Klappenfilm
Director, Producer |
1968 | |||
|
Same Player Shoots Again
Cinematographer, Director, Editor, Producer, Screenwriter |
1968 |






