by Sandra Brennan
biography
French cinematographer Walter Wottitz began his career in the early '30s. In 1962, he shared an Oscar with Jean Bourgoin for his second-unit work on The Longest Day.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Les Passagers
Cinematographer |
1977 | |||
|
Bons Baisers de Hong Kong
Cinematographer |
1975 | |||
|
La Cage
Cinematographer |
1975 | |||
|
Creezy
Cinematographer |
1974 | |||
|
The Last Train
Cinematographer |
1973 | |||
|
Un Flic
Cinematographer |
1972 | |||
|
La Veuve Couderc
Cinematographer |
1971 | |||
|
Le Chat
Cinematographer |
1971 | |||
|
La Horse
Cinematographer |
1970 | |||
|
Those Daring Young Men in Their Jaunty Jalopies
Cinematographer |
1969 | |||
|
Sous le Signe du Taureau
Cinematographer |
1968 | |||
|
Vingt-Quatre Heures de la Vie d'une Femme
Cinematographer |
1968 | |||
|
Le Soleil des Voyous
Cinematographer |
1967 | |||
|
Du Rififi à Paname
Cinematographer |
1966 | |||
|
The Train
Cinematographer |
1965 | |||
|
Up from the Beach
Cinematographer |
1965 | |||
|
D'ou Viens-Tu, Johnny?
Cinematographer |
1963 | |||
|
The Longest Day
Cinematographer |
1962 | |||
|
Honore de Marseille
Cinematographer |
1956 | |||
|
La Plus Belle Des Vies
Cinematographer |
1954 |