American director of photography Victor Milner began his career in the film industry as a lab assistant at age 15. He then worked as a projectionist and a newsreel cameraman until 1914 when he became a full-fledged cinematographer. During his career, Milner filmed dozens of silent and early sound films; though he worked with many major studios, his home base was Paramount where he worked on a few of Lubitsch's early sound films. Later he began working for C.B. De Mille productions where Milner was largely responsible for the opulent look of the director's epics. In 1934, he won an Oscar for his work on Cleopatra.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Heights of Danger
Editor |
1962 | |||
Jeopardy
Actor, Cinematographer |
1953 | |||
Carrie
Cinematographer |
1952 | |||
My Favorite Spy
Cinematographer |
1951 | |||
Dark City
Cinematographer |
1950 | |||
September Affair
Cinematographer |
1950 | |||
The Furies
Cinematographer |
1950 | |||
Unfaithfully Yours
Cinematographer |
1948 | |||
|
You Were Meant for Me
Cinematographer |
1948 | |||
|
The Other Love
Cinematographer |
1947 | |||
The Strange Love of Martha Ivers
Cinematographer |
1946 | |||
Wonder Man
Cinematographer |
1945 | |||
The Great Moment
Cinematographer |
1944 | |||
The Princess and the Pirate
Cinematographer |
1944 | |||
The Story of Dr. Wassell
Cinematographer |
1944 | |||
|
Hostages
Cinematographer |
1943 | |||
Reap the Wild Wind
Cinematographer |
1942 | |||
The Palm Beach Story
Cinematographer |
1942 | |||
|
My Life with Caroline
Cinematographer |
1941 | |||
The Lady Eve
Cinematographer |
1941 | |||
|
The Man Who Lost Himself
Cinematographer |
1941 | |||
The Monster and the Girl
Cinematographer |
1941 | |||
Christmas in July
Cinematographer |
1940 | |||
|
Northwest Mounted Police
Cinematographer |
1940 | |||
|
Seventeen
Cinematographer |
1940 | |||
|
Those Were the Days
Cinematographer |
1940 | |||
|
Our Leading Citizen
Cinematographer |
1939 | |||
|
The Great Victor Herbert
Cinematographer |
1939 | |||
Union Pacific
Cinematographer |
1939 | |||
|
What a Life
Cinematographer |
1939 | |||
College Swing
Cinematographer |
1938 | |||
Give Me a Sailor
Cinematographer |
1938 | |||
|
Hunted Men
Cinematographer |
1938 | |||
|
Say It in French
Cinematographer |
1938 | |||
|
The Buccaneer
Cinematographer |
1938 | |||
|
Touchdown, Army
Cinematographer |
1938 | |||
|
Artists and Models
Cinematographer |
1937 | |||
Bulldog Drummond Escapes
Cinematographer |
1937 | |||
|
High, Wide and Handsome
Cinematographer |
1937 | |||
The Plainsman
Cinematographer |
1937 | |||
Desire
Cinematographer |
1936 | |||
|
Give Us This Night
Cinematographer |
1936 | |||
The General Died at Dawn
Cinematographer |
1936 | |||
|
Till We Meet Again
Cinematographer |
1936 | |||
|
So Red the Rose
Cinematographer |
1935 | |||
The Crusades
Cinematographer |
1935 | |||
|
The Gilded Lily
Cinematographer |
1935 | |||
|
All of Me
Cinematographer |
1934 | |||
Cleopatra
Cinematographer |
1934 | |||
|
The Wharf Angel
Cinematographer |
1934 | |||
Design for Living
Cinematographer |
1933 | |||
|
Luxury Liner
Cinematographer |
1933 | |||
One Sunday Afternoon
Cinematographer |
1933 | |||
Song of Songs
Cinematographer |
1933 | |||
|
Broken Lullaby
Cinematographer |
1932 | |||
Love Me Tonight
Cinematographer |
1932 | |||
One Hour with You
Cinematographer |
1932 | |||
|
This Is the Night
Cinematographer |
1932 | |||
Trouble in Paradise
Cinematographer |
1932 | |||
|
Under Cover Man
Cinematographer |
1932 | |||
|
Daughter of the Dragon
Cinematographer |
1931 | |||
|
I Take This Woman
Cinematographer |
1931 | |||
|
Kick in
Cinematographer |
1931 | |||
|
Ladies' Man
Cinematographer |
1931 | |||
Man of the World
Cinematographer |
1931 | |||
|
No Limit
Cinematographer |
1931 | |||
|
Let's Go Native
Cinematographer |
1930 | |||
|
Monte Carlo
Cinematographer |
1930 | |||
|
Paramount on Parade
Cinematographer |
1930 | |||
|
The Texan
Cinematographer |
1930 | |||
|
True to the Navy
Cinematographer |
1930 | |||
|
Charming Sinners
Cinematographer |
1929 | |||
|
River of Romance
Cinematographer |
1929 | |||
|
The Love Parade
Cinematographer |
1929 | |||
|
The Marriage Playground
Cinematographer |
1929 | |||
|
The Studio Murder Mystery
Cinematographer |
1929 | |||
|
The Wild Party
Cinematographer |
1929 | |||
|
The Wolf of Wall Street
Cinematographer |
1929 | |||
|
Half a Bride
Cinematographer |
1928 | |||
|
Sins of the Fathers
Cinematographer |
1928 | |||
|
Woman from Moscow
Cinematographer |
1928 | |||
|
Children of Divorce
Cinematographer |
1927 | |||
|
Rolled Stockings
Cinematographer |
1927 | |||
|
The Way of All Flesh
Cinematographer |
1927 | |||
|
Kid Boots
Cinematographer |
1926 | |||
|
Lady of the Harem
Cinematographer |
1926 | |||
|
Lucky Lady
Cinematographer |
1926 | |||
|
The Cat's Pajamas
Cinematographer |
1926 | |||
|
East of Suez
Cinematographer |
1925 | |||
|
Learning to Love
Cinematographer |
1925 | |||
|
On the Stroke of Three
Cinematographer |
1924 | |||
|
The Love Letter
Cinematographer |
1923 | |||
|
The Town Scandal
Cinematographer |
1923 | |||
|
The Kentucky Derby
Cinematographer |
1922 | |||
|
The Lavender Bath Lady
Cinematographer |
1922 | |||
|
Live Wires
Cinematographer |
1921 | |||
|
Shadows of Conscience
Cinematographer |
1921 | |||
|
What Love Will Do
Cinematographer |
1921 | |||
|
Out of the Dust
Cinematographer |
1920 | |||
|
The Cabaret Girl
Cinematographer |
1919 |
