In films from 1920, screenwriter Sarah Y. Mason usually wrote in collaboration with her director husband Victor Heerman. Mason kept busy at such major studios as RKO and MGM, and such second-echelon firms as Columbia. Most of her screen assignments were literary and theatrical adaptations, including Age of Innocence (1934), The Little Minister (1934), Stella Dallas (1937) and Golden Boy (1939). In 1933, Sarah Y. Mason and Victor Heerman shared an Academy Award for their cinemadaptation of Louisa May Alcott's Little Women.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Magnificent Obsession
From Screenplay by |
1954 | |||
|
Little Women
Screenwriter |
1949 | |||
|
Golden Boy
Screenwriter |
1939 | |||
|
Stella Dallas
Screenwriter |
1937 | |||
|
Break of Hearts
Screenwriter |
1935 | |||
|
Magnificent Obsession
Screenwriter |
1935 | |||
|
The Age of Innocence
Screenwriter |
1934 | |||
|
The Little Minister
Screenwriter |
1934 | |||
|
Chance at Heaven
Screenwriter |
1933 | |||
|
Little Women
Screenwriter |
1933 | |||
|
Shopworn
Screenwriter |
1932 | |||
|
The Age of Consent
Screenwriter |
1932 | |||
|
The Man in Possession
Screenwriter |
1931 | |||
|
Love in the Rough
Screenwriter |
1930 | |||
|
The Girl Said No
Screenwriter |
1930 | |||
|
They Learned About Women
Screenwriter |
1930 | |||
|
The Broadway Melody
Continuity, Screenwriter |
1929 | |||
|
Alias Jimmy Valentine
Screenwriter |
1928 | |||
|
Backstage
Screenwriter |
1927 | |||
|
Cradle Snatchers
Screenwriter |
1927 | |||
|
One Hour of Love
Screenwriter |
1927 | |||
|
Modern Matrimony
Screen Story |
1923 |

