Veteran American cinematographer Roy Overbaugh was closely associated with director John S. Robertson, for whom he photographed more than fifteen films from 1919-1925, including the often revived Dr. Jekyll and Mr. Hyde (1920) starring John Barrymore. Later in that decade, Overbaugh was behind the camera on two of the most beautiful films of the entire silent era, Henry King's The White Sister (1923) and Romola (1924), both filmed on location in Tuscany, Italy. Overbaugh worked fairly steadily through the mid-1930s, less often thereafter. He was credited as a second-unit cameraman on Alfred Hitchcock's Foreign Correspondent (1940).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Together We Live
Cinematographer |
1935 | |||
|
Riot Squad
Cinematographer |
1933 | |||
|
The Solitaire Man
Cinematographer |
1933 | |||
|
Madame Guillotine
Cinematographer |
1931 | |||
|
Penrod and Sam
Cinematographer |
1931 | |||
|
Outside the Law
Cinematographer |
1930 | |||
|
The Bishop Murder Case
Cinematographer |
1930 | |||
|
The Little Accident
Cinematographer |
1930 | |||
|
What Men Want
Cinematographer |
1930 | |||
|
Wolves
Cinematographer |
1930 | |||
|
Young Desire
Cinematographer |
1930 | |||
|
The Return of the Rat
Cinematographer |
1929 | |||
|
Confetti
Cinematographer |
1927 | |||
|
Huntingtower
Screenwriter |
1927 | |||
|
Beautiful City
Cinematographer |
1925 | |||
|
Romola
Cinematographer |
1925 | |||
|
Shore Leave
Cinematographer |
1925 | |||
|
Classmates
Cinematographer |
1924 | |||
|
Fury
Cinematographer |
1923 | |||
|
The White Sister
Cinematographer |
1923 | |||
|
Bond Boy
Cinematographer |
1922 | |||
|
Sentimental Tommy
Cinematographer |
1921 | |||
|
Away Goes Prudence
Cinematographer |
1920 | |||
|
Dr. Jekyll and Mr. Hyde
Cinematographer |
1920 | |||
|
Erstwhile Susan
Cinematographer |
1919 | |||
|
Panthea
Cinematographer |
1917 | |||
|
The Man Who Made Good
Cinematographer |
1917 |
