Charles Rosher studied photography at London's Polytechnic, then became one of England's pioneer newsreel cameramen. After a successful tenure with the famous Fleet Street firm of Speaight, Court Photographers, Rosher moved to the U.S. in 1909, purchasing his first movie camera outright at the same time. He was working with the Horsley Brothers' East Coast studios when David Horsley decided to move permanently to California in 1911; by staying with the company, Rosher ended up as Hollywood's first full-time cameraman. In 1913 he was commissioned to photograph the now-famous newsreels of the Villa rebellion in Mexico (some of the scenes were "directed" by Pancho Villa himself, who fortunately never decided to pursue a movie career). From 1917 through 1929, Rosher was principal cameraman for Hollywood's Number One female star Mary Pickford. During this period, he developed and refined several influential lighting and camera techniques, and created a film-developing system called ABC Pyro, which enabled the photographer to control exposure under difficult shooting conditions. In 1918, he was among the founders of the American Society of Cinematographers, serving as the union-to-be's first vice president. After acting as German director F. W. Murnau's unofficial advisor on Hollywood moviemaking methods during the filming of Murnau's Faust, Rosher was afforded the opportunity to collaborate with cameraman Karl Struss on Murnau's finest cinematic achievement, the 1927 silent classic Sunrise (1927). Unlike many "star" cinematographers, Rosher was willing to listen to the input of others, even those craftsmen younger and less experienced than he. Still, he was not modest about trumpeting his many achievements, and preferred working with directors who treated him with respect and deference. Having already won the first-ever Academy Award for photography for Sunrise, Rosher was awarded a second gold statuette for his work on the 1946 Technicolor film The Yearling. In addition, he received eight Oscar nominations, two Eastman medals, Photoplay magazine's Gold Medal, and the only fellowship award ever bestowed by Society of Motion Picture Engineers. It is highly probable that Rosher prized most of all the honor afforded him by his former employer Mary Pickford in 1950: "Charles Rosher is the dean of cameramen." Charles Rosher was the father of cinematographer Charles Rosher Jr. and actress Joan Marsh.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Together Brothers
Cinematographer |
1974 | |||
|
The Cat Creature
Cinematographer |
1973 | |||
|
Jupiter's Darling
Cinematographer |
1955 | |||
|
Kiss Me Kate
Cinematographer |
1953 | |||
|
The Story of Three Loves
Cinematographer |
1953 | |||
|
Young Bess
Cinematographer |
1953 | |||
|
Scaramouche
Cinematographer |
1952 | |||
|
Show Boat
Cinematographer |
1951 | |||
|
Annie Get Your Gun
Cinematographer |
1950 | |||
|
Pagan Love Song
Cinematographer |
1950 | |||
|
East Side, West Side
Cinematographer |
1949 | |||
|
Neptune's Daughter
Cinematographer |
1949 | |||
|
The Red Danube
Cinematographer |
1949 | |||
|
On an Island with You
Cinematographer |
1948 | |||
|
Words and Music
Cinematographer |
1948 | |||
|
Dark Delusion
Cinematographer |
1947 | |||
|
Fiesta
Cinematographer |
1947 | |||
|
Song of the Thin Man
Cinematographer |
1947 | |||
|
The Yearling
Cinematographer |
1946 | |||
|
Ziegfeld Follies
Cinematographer |
1946 | |||
|
Yolanda and the Thief
Cinematographer |
1945 | |||
|
Kismet
Cinematographer |
1944 | |||
|
Assignment in Brittany
Cinematographer |
1943 | |||
|
Swing Fever
Cinematographer |
1943 | |||
|
Mokey
Cinematographer |
1942 | |||
|
Pierre of the Plains
Cinematographer |
1942 | |||
|
Stand by for Action
Cinematographer |
1942 | |||
|
Four Mothers
Cinematographer |
1941 | |||
|
Million Dollar Baby
Cinematographer |
1941 | |||
|
One Foot in Heaven
Cinematographer |
1941 | |||
|
A Child Is Born
Cinematographer |
1940 | |||
|
Brother Rat and a Baby
Cinematographer |
1940 | |||
|
Cavalcade of Academy Awards
Cinematographer |
1940 | |||
|
My Love Came Back
Cinematographer |
1940 | |||
|
Three Cheers for the Irish
Cinematographer |
1940 | |||
|
Espionage Agent
Cinematographer |
1939 | |||
|
Hell's Kitchen
Cinematographer |
1939 | |||
|
Off the Record
Cinematographer |
1939 | |||
|
Yes, My Darling Daughter
Cinematographer |
1939 | |||
|
Hard to Get
Cinematographer |
1938 | |||
|
White Banners
Cinematographer |
1938 | |||
|
Hollywood Hotel
Cinematographer |
1937 | |||
|
The Perfect Specimen
Cinematographer |
1937 | |||
|
The Woman I Love
Cinematographer |
1937 | |||
|
Little Lord Fauntleroy
Cinematographer |
1936 | |||
|
Men Are Not Gods
Cinematographer |
1936 | |||
|
Small Town Girl
Cinematographer |
1936 | |||
|
After Office Hours
Cinematographer |
1935 | |||
|
Broadway Melody of 1936
Cinematographer |
1935 | |||
|
The Call of the Wild
Cinematographer |
1935 | |||
|
Flaming Gold
Cinematographer |
1934 | |||
|
Moulin Rouge
Cinematographer |
1934 | |||
|
Outcast Lady
Cinematographer |
1934 | |||
|
The Affairs of Cellini
Cinematographer |
1934 | |||
|
What Every Woman Knows
Cinematographer |
1934 | |||
|
After Tonight
Cinematographer |
1933 | |||
|
Bed of Roses
Cinematographer |
1933 | |||
|
Our Betters
Cinematographer |
1933 | |||
|
The Past of Mary Holmes
Cinematographer |
1933 | |||
|
The Silver Cord
Cinematographer |
1933 | |||
|
Rockabye
Cinematographer |
1932 | |||
|
Two Against the World
Cinematographer |
1932 | |||
|
What Price Hollywood?
Cinematographer |
1932 | |||
|
Dance Fools Dance
Cinematographer |
1931 | |||
|
Husband's Holiday
Cinematographer |
1931 | |||
|
Laughing Sinners
Cinematographer |
1931 | |||
|
Silence
Cinematographer |
1931 | |||
|
The Beloved Bachelor
Cinematographer |
1931 | |||
|
This Modern Age
Cinematographer |
1931 | |||
|
Knowing Men
Cinematographer |
1930 | |||
|
Paid
Cinematographer |
1930 | |||
|
The Price of Things
Cinematographer |
1930 | |||
|
The Road Is Fine
Cinematographer |
1930 | |||
|
The Vagabond Queen
Cinematographer |
1930 | |||
|
Two Worlds
Cinematographer |
1930 | |||
|
War Nurse
Cinematographer |
1930 | |||
|
Atlantic
Cinematographer |
1929 | |||
|
Tempest
Cinematographer |
1928 | |||
|
My Best Girl
Cinematographer |
1927 | |||
|
Sunrise
Cinematographer |
1927 | |||
|
Sparrows
Cinematographer |
1926 | |||
|
Little Annie Rooney
Cinematographer |
1925 | |||
|
Dorothy Vernon of Haddon Hall
Cinematographer |
1924 | |||
|
Three Women
Cinematographer |
1924 | |||
|
Rosita
Cinematographer |
1923 | |||
|
Tiger Rose
Cinematographer |
1923 | |||
|
Smilin' Through
Cinematographer |
1922 | |||
|
Tess of the Storm Country
Cinematographer |
1922 | |||
|
Little Lord Fauntleroy
Cinematographer |
1921 | |||
|
The Love Light
Cinematographer |
1921 | |||
|
Through the Back Door
Cinematographer |
1921 | |||
|
Pollyanna
Cinematographer |
1920 | |||
|
Suds
Cinematographer |
1920 | |||
|
Captain Kidd, Jr.
Cinematographer |
1919 | |||
|
Daddy Long Legs
Cinematographer |
1919 | |||
|
Heart O' the Hills
Cinematographer |
1919 | |||
|
The Dub
Cinematographer |
1919 | |||
|
The Hoodlum
Cinematographer |
1919 | |||
|
How Could You, Jean?
Cinematographer |
1918 | |||
|
Johanna Enlists
Cinematographer |
1918 | |||
|
One More American
Cinematographer |
1918 | |||
|
Too Many Millions
Cinematographer |
1918 | |||
|
On Record
Cinematographer |
1917 | |||
|
The Secret Game
Cinematographer |
1917 | |||
|
Anton the Terrible
Cinematographer |
1916 | |||
|
Clown
Cinematographer |
1916 | |||
|
Dumb Girl of Portici
Cinematographer |
1916 | |||
|
Sowers
Cinematographer |
1916 | |||
|
The Plow Girl
Cinematographer |
1916 | |||
|
The Mystery of the Poison Pool
Cinematographer |
1914 |


/_derived_jpg_q90_100x100_m0/Scaramouche1952-BoxArt.jpg?partner=allrovi.com)










