American composer/producer Richard Rodgers had his first song published at 17; one year later, he wrote his first stage musical. An alumnus of Juilliard and Columbia University, Rodgers came to critical prominence with the many '20s editions of The Garrick Gaieties, in which Rodgers and his lyricist collaborator Lorenz Hart were responsible for such instant hits as "Mountain Greenery" and "I'll Take Manhattan". Though Hart was erratic and self-destructive, Rodgers stuck with the talented wordsmith through such Broadway blockbusters of the '20s, '30s and '40s as The Connecticut Yankee, Babes in Arms, On Your Toes (which contained Rodger's first true "concert piece," "Slaughter on Tenth Avenue") and Pal Joey. Rodgers and Hart travelled to Hollywood in 1929, where after guest-starring in the short subject The Melody Makers they hunkered down to compose such favorites as "Mimi," "Lover" and "Isn't it Romantic?" (this last song became virtually the signature theme of Paramount Pictures, popping up in everything from Jerry Lewis movies to Betty Boop cartoons). When he discovered that the head of Paramount didn't even know his name, Rodgers decided to leave Hollywood before he became just another anonymous studio hack. In 1942, Rodgers and Hart planned to write a musical version of Lynn Riggs' Green Grow the Lilacs, but Hart was in no condition to work (he died shortly afterward). Rodgers' new partner was Oscar Hammerstein Jr.: their version of Green Grow the Lilacs was Oklahoma, and the rest, as they say, is history. Rodgers and Hammerstein returned to Hollywood in 1955 with their own production company, overseeing the movie adaptations of Oklahoma (1955) and South Pacific (1958); three years earlier, R and H played cameo roles in the New York-filmed Main Street to Broadway, for which they contributed one forgettable number. After Hammerstein's death in 1960, Rodgers wrote both music and lyrics for the 1961 Broadway production No Strings; previous solo assignments for Rodgers included the scores for the TV documentary series Victory at Sea (1952) and Winston Churchill (1960). The 1965 screen adaptation of Rodgers and Hammerstein's The Sound of Music, which included two new songs written by Richard Rodgers alone, ended up as the most profitable movie musical of all time. Though he never wrote anything directly for the screen after 1965, Richard Rodgers was well represented in films by his previous body of work, including filmizations of On Your Toes (1936) Babes in Arms (1939) Pal Joey (1957) and all but three of the Rodgers and Hammerstein stage collaborations. In 1948, MGM produced a fanciful biopic of Rodgers and Hart titled Words and Music, wherein Charles Drake's colorless interpretation of Richard Rodgers was virtually muscled off the screen by Mickey Rooneys high-octane portrayal of Lorenz Hart.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Oklahoma!
Composer (Music Score) |
1999 | |||
|
The King and I
From Musical by |
1999 | |||
|
Rodgers & Hammerstein's Cinderella
From Musical by |
1997 | |||
|
Willie Nelson: Some Enchanted Evening
Featured Music |
1990 | |||
|
Biloxi Blues
Featured Music |
1988 | |||
|
Crossing Delancey
Featured Music |
1988 | |||
|
Working Girl
Featured Music |
1988 | |||
|
Dillinger
Songwriter |
1973 | |||
|
The Swinger
Songwriter |
1966 | |||
|
The King Family Show [TV Series]
Featured Music |
1965 | |||
|
The Sound of Music
Additional Music, From Musical by |
1965 | |||
|
Cinderella
Composer (Music Score), Executive Producer |
1964 | |||
|
Judy Garland: Judy Garland & Friends
Songwriter |
1963 | |||
|
Flower Drum Song
Composer (Music Score) |
1961 | |||
|
South Pacific
Composer (Music Score), From Musical by |
1958 | |||
|
Pal Joey
From Musical by |
1957 | |||
|
Slaughter on Tenth Avenue
Composer (Music Score) |
1957 | |||
|
Carousel
From Musical by |
1956 | |||
|
Gaby
Songwriter |
1956 | |||
|
The King and I
Composer (Music Score), From Musical by |
1956 | |||
|
A Connecticut Yankee
Composer (Music Score) |
1955 | |||
|
Oklahoma!
Composer (Music Score) |
1955 | |||
|
Dateline
Participant |
1954 | |||
|
Sabrina
Songwriter |
1954 | |||
|
Main Street to Broadway
Actor |
1953 | |||
|
State Fair
Composer (Music Score), Songwriter |
1945 | |||
|
Ten Cents a Dance
Featured Music |
1945 | |||
|
I Married an Angel
Composer (Music Score), Screenwriter |
1942 | |||
|
They Met in Argentina
Composer (Music Score) |
1941 | |||
|
The Boys from Syracuse
From Musical by |
1940 | |||
|
Too Many Girls
Composer (Music Score), Screenwriter |
1940 | |||
|
Babes in Arms
Songwriter |
1939 | |||
|
On Your Toes
Composer (Music Score), Screenwriter |
1939 | |||
|
Fools for Scandal
Composer (Music Score), Songwriter |
1938 | |||
|
The Goldwyn Follies
Composer (Music Score) |
1938 | |||
|
Hollywood Hotel
Songwriter |
1937 | |||
|
Evergreen
Composer (Music Score) |
1934 | |||
|
Nana
Songwriter |
1934 | |||
|
Dancing Lady
Composer (Music Score) |
1933 | |||
|
Hallelujah, I'm a Bum
Actor, Composer (Music Score), Songwriter |
1933 | |||
|
Love Me Tonight
Composer (Music Score) |
1932 | |||
|
The Phantom President
Songwriter |
1932 | |||
|
Ten Cents a Dance
Songwriter |
1931 | |||
|
The Hot Heiress
Composer (Music Score), Screenwriter, Songwriter |
1931 | |||
|
Heads Up
Composer (Music Score) |
1930 | |||
|
Spring Is Here
From Musical by |
1930 |


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