by Hans J. Wollstein
biography
A former stage actor who toured in his own plays, dark-haired screen juvenile Pierre Gendron (born Leon Pierre Gendron) appeared in scores of low-budget melodramas of the early '20s. After writing the dialogue for the early part-talkie Sal of Singapore (1929), Gendron segued into screenwriting full time, later penning such seminal, if low-budget, horror classics as Bluebeard (1944), The Monster Maker (1944), and Fog Island (1945). He should not be confused with the later Canadian producer of the same name.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Fog Island
Screenwriter |
1945 | |||
|
Bluebeard
Screenwriter |
1944 | |||
|
Minstrel Man
Screenwriter |
1944 | |||
|
The Monster Maker
Screenwriter |
1944 | |||
|
Sal of Singapore
Screenwriter |
1929 | |||
|
The Enchanted Island
Actor |
1927 | |||
|
Brooding Eyes
Screenwriter |
1926 | |||
|
Scarlet Honeymoon
Actor |
1925 | |||
|
City That Never Sleeps
Actor |
1924 | |||
|
Just off Broadway
Actor |
1924 | |||
|
Lover of Camille
Actor |
1924 | |||
|
Three Women
Actor |
1924 | |||
|
Outlaws of the Sea
Actor |
1923 | |||
|
The Man Who Played God
Actor |
1922 | |||
|
The Young Painter
Actor |
1922 | |||
|
Scrambled Wives
Actor |
1921 |