Holding an L.L.B. degree from Boston and an L.L.M. from Harvard, Oscar Brodney was a lawyer before entering the film industry in 1935. Brodney's screenwriting career went into drive at Universal in the early '40s. Particularly adept at comedy, Brodney worked on Abbott and Costello's Mexican Hayride (1948), the 1950 adaptation of Mary Chase's Harvey (1950), two of Universal's Francis the Talking Mule series, and all three of the studio's Tammy films. In 1954, he earned an Academy Award nomination for The Glenn Miller Story. Switching to producing in the late '50s, Brodney called the shots on the British Bobbykins (1959) and The Right Approach (1960), as well as 20th Century Fox's All Hands on Deck (1961). Oscar Brodney's last screenwriting project to date is the tepid British exploitation quickie 1,000 Convicts and a Woman (aka Fun and Games, 1971).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Ghost Fever
Screenwriter |
1987 | |||
|
1,000 Convicts and a Woman
Screenwriter |
1971 | |||
|
The Sword of Ali Baba
Screenwriter |
1965 | |||
|
I'd Rather Be Rich
Screenwriter |
1964 | |||
|
The Brass Bottle
Screenwriter |
1964 | |||
|
Tammy and the Doctor
Screenwriter |
1963 | |||
|
All Hands on Deck
Producer |
1961 | |||
|
Tammy, Tell Me True
Screenwriter |
1961 | |||
|
The Right Approach
Producer |
1961 | |||
|
Bobbikins
Producer, Screenwriter |
1959 | |||
|
When Hell Broke Loose
Producer, Screenwriter |
1958 | |||
|
Tammy and the Bachelor
Screenwriter |
1957 | |||
|
A Day of Fury
Screenwriter |
1956 | |||
|
Star in the Dust
Screenwriter |
1956 | |||
|
Captain Lightfoot
Screenwriter |
1955 | |||
|
Lady Godiva
Screenwriter |
1955 | |||
|
The Purple Mask
Screenwriter |
1955 | |||
|
The Spoilers
Screenwriter |
1955 | |||
|
Sign of the Pagan
Screenwriter |
1954 | |||
|
The Black Shield of Falworth
Screenwriter |
1954 | |||
|
The Glenn Miller Story
Screenwriter |
1954 | |||
|
Francis Covers the Big Town
Screenwriter |
1953 | |||
|
Walking My Baby Back Home
Screenwriter |
1953 | |||
|
Back at the Front
Screenwriter |
1952 | |||
|
Francis Goes to West Point
Screenwriter |
1952 | |||
|
Scarlet Angel
Screenwriter |
1952 | |||
|
Francis Goes to the Races
Screenwriter |
1951 | |||
|
Katie Did It
Screenwriter |
1951 | |||
|
Little Egypt
Screenwriter |
1951 | |||
|
Comanche Territory
Screenwriter |
1950 | |||
|
Curtain Call at Cactus Creek
Screenwriter |
1950 | |||
|
Double Crossbones
Screenwriter |
1950 | |||
|
Frenchie
Screenwriter |
1950 | |||
|
Harvey
Screenwriter |
1950 | |||
|
South Sea Sinner
Screenwriter |
1950 | |||
|
Arctic Manhunt
Screenwriter |
1949 | |||
|
The Gal Who Took the West
Screenwriter |
1949 | |||
|
Yes Sir, That's My Baby
Screenwriter |
1949 | |||
|
Are You with It?
Screenwriter |
1948 | |||
|
For the Love of Mary
Screenwriter |
1948 | |||
|
If You Knew Susie
Screenwriter |
1948 | |||
|
Mexican Hayride
Screenwriter |
1948 | |||
|
She Wrote the Book
Screenwriter |
1946 | |||
|
On Stage Everybody
Screenwriter |
1945 | |||
|
What a Blonde
Screen Story |
1945 | |||
|
Always a Bridesmaid
Screenwriter |
1943 | |||
|
Rhythm of the Islands
Screenwriter |
1943 | |||
|
You're a Lucky Fellow, Mr. Smith
Screen Story |
1943 | |||
|
Baby Face Morgan
Screen Story |
1942 | |||
|
Moonlight in Havana
Screenwriter |
1942 | |||
|
When Johnny Comes Marching Home
Screenwriter |
1942 |
