by Hans J. Wollstein
biography
A former advertising copywriter, Morton Blumenstock began his screen career as a title writer for Columbia and Universal and later became an editor. He was created a director shortly after the changeover to sound, helming short subjects for Paramount and the 1931 low-budget melodrama Morals for Women (1931).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
A Broadway Romeo
Director |
1931 | |||
Morals for Women
Director |
1931 | |||
|
Getting a Ticket
Director |
1930 | |||
Office Blues
Director |
1930 | |||
|
Gentlemen of the Press
Editor |
1929 | |||
|
Nothing But the Truth
Editor |
1929 | |||
|
The Hole in the Wall
Editor |
1929 | |||
|
Driftwood
Intertitle Writer |
1928 | |||
|
Home James
Screenwriter |
1928 | |||
|
Honeymoon Flats
Screenwriter |
1928 | |||
|
Runaway Girls
Intertitle Writer |
1928 | |||
|
The Crystal Cup
Intertitle Writer |
1927 | |||
|
The Sunset Derby
Intertitle Writer |
1927 |
