American cinematographer Milton Krasner first turned 'em over at Brooklyn's Vitagraph studios in 1918; he last focused his lenses on 1970's Beneath the Planet of the Apes. Starting out as a teenaged assistant, he became a lighting cameraman in 1933 and full director of photography in the '40s. In this capacity, he shot over 170 features within a three decade period.
During his years at 20th Century-Fox, it was Krasner's task to make the cumbersome CinemaScope artistically palatable. That Milton Krasner succeeded in this was proven by his Academy Award for Three Coins in the Fountain (1954), and his nomination for An Affair to Remember (1957).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
Beneath the Planet of the Apes
Cinematographer |
1970 | |||
The Sterile Cuckoo
Cinematographer |
1969 | |||
|
Don't Just Stand There!
Cinematographer |
1968 | |||
|
The Ballad of Josie
Cinematographer |
1968 | |||
Hurry Sundown
Cinematographer |
1967 | |||
The St. Valentine's Day Massacre
Cinematographer |
1967 | |||
The Venetian Affair
Cinematographer |
1967 | |||
Made in Paris
Cinematographer |
1966 | |||
The Singing Nun
Cinematographer |
1966 | |||
Red Line 7000
Cinematographer |
1965 | |||
The Sandpiper
Cinematographer |
1965 | |||
Advance to the Rear
Cinematographer |
1964 | |||
|
Fate Is the Hunter
Cinematographer |
1964 | |||
|
Goodbye Charlie
Cinematographer |
1964 | |||
Looking for Love
Cinematographer |
1964 | |||
A Ticklish Affair
Cinematographer |
1963 | |||
Love with the Proper Stranger
Cinematographer |
1963 | |||
How the West Was Won
Cinematographer |
1962 | |||
Sweet Bird of Youth
Cinematographer |
1962 | |||
The Courtship of Eddie's Father
Cinematographer |
1962 | |||
The Four Horsemen of the Apocalypse
Cinematographer |
1962 | |||
Two Weeks in Another Town
Cinematographer |
1962 | |||
|
Go Naked in the World
Cinematographer |
1961 | |||
King of Kings
Cinematographer |
1961 | |||
Bells Are Ringing
Cinematographer |
1960 | |||
Home from the Hill
Cinematographer |
1960 | |||
|
Count Your Blessings
Cinematographer |
1959 | |||
|
The Man Who Understood Women
Cinematographer |
1959 | |||
|
The Remarkable Mr. Pennypacker
Cinematographer |
1959 | |||
|
A Certain Smile
Cinematographer |
1958 | |||
|
The Gift of Love
Cinematographer |
1958 | |||
An Affair to Remember
Cinematographer |
1957 | |||
Kiss Them for Me
Cinematographer |
1957 | |||
The Boy on a Dolphin
Cinematographer |
1957 | |||
|
23 Paces to Baker Street
Cinematographer |
1956 | |||
Bus Stop
Cinematographer |
1956 | |||
|
How to Be Very, Very, Popular
Cinematographer |
1955 | |||
The Girl in the Red Velvet Swing
Cinematographer |
1955 | |||
|
The Rains of Ranchipur
Cinematographer |
1955 | |||
The Seven Year Itch
Cinematographer |
1955 | |||
Demetrius and the Gladiators
Cinematographer |
1954 | |||
Desiree
Cinematographer |
1954 | |||
Garden of Evil
Cinematographer |
1954 | |||
Three Coins in the Fountain
Cinematographer |
1954 | |||
Dream Wife
Cinematographer |
1953 | |||
|
Taxi
Cinematographer |
1953 | |||
Vicki
Cinematographer |
1953 | |||
|
Deadline U.S.A.
Cinematographer |
1952 | |||
|
Dreamboat
Cinematographer |
1952 | |||
Monkey Business
Cinematographer |
1952 | |||
O. Henry's Full House
Cinematographer |
1952 | |||
Phone Call from a Stranger
Cinematographer |
1952 | |||
|
Half Angel
Cinematographer |
1951 | |||
|
I Can Get It for You Wholesale
Cinematographer |
1951 | |||
People Will Talk
Cinematographer |
1951 | |||
Rawhide
Cinematographer |
1951 | |||
|
The Model and the Marriage Broker
Cinematographer |
1951 | |||
All About Eve
Cinematographer |
1950 | |||
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No Way Out
Cinematographer |
1950 | |||
Three Came Home
Cinematographer |
1950 | |||
Holiday Affair
Cinematographer |
1949 | |||
House of Strangers
Cinematographer |
1949 | |||
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The Set-Up
Cinematographer |
1949 | |||
|
The Accused
Cinematographer |
1948 | |||
|
The Saxon Charm
Cinematographer |
1948 | |||
Up in Central Park
Cinematographer |
1948 | |||
A Double Life
Cinematographer |
1947 | |||
Something in the Wind
Cinematographer |
1947 | |||
The Egg and I
Cinematographer |
1947 | |||
The Farmer's Daughter
Cinematographer |
1947 | |||
The Dark Mirror
Cinematographer |
1946 | |||
Without Reservations
Cinematographer |
1946 | |||
Along Came Jones
Cinematographer |
1945 | |||
Delightfully Dangerous
Cinematographer |
1945 | |||
Scarlet Street
Cinematographer |
1945 | |||
|
Hat Check Honey
Cinematographer |
1944 | |||
The Invisible Man's Revenge
Cinematographer |
1944 | |||
The Woman in the Window
Cinematographer |
1944 | |||
Gung Ho!
Cinematographer |
1943 | |||
|
So's Your Uncle
Cinematographer |
1943 | |||
The Mad Ghoul
Cinematographer |
1943 | |||
|
Two Tickets to London
Cinematographer |
1943 | |||
|
We've Never Been Licked
Cinematographer |
1943 | |||
|
A Gentleman After Dark
Cinematographer |
1942 | |||
|
Men of Texas
Cinematographer |
1942 | |||
Pardon My Sarong
Cinematographer |
1942 | |||
The Arabian Nights
Cinematographer |
1942 | |||
The Ghost of Frankenstein
Cinematographer |
1942 | |||
The Spoilers
Cinematographer |
1942 | |||
|
Bachelor Daddy
Cinematographer |
1941 | |||
Buck Privates
Cinematographer |
1941 | |||
|
Paris Calling
Cinematographer |
1941 | |||
|
The Lady From Cheyenne
Cinematographer |
1941 | |||
|
This Woman Is Mine
Cinematographer |
1941 | |||
|
Too Many Blondes
Cinematographer |
1941 | |||
|
Diamond Frontier
Cinematographer |
1940 | |||
|
Hired Wife
Cinematographer |
1940 | |||
|
Oh Johnny, How You Can Love!
Cinematographer |
1940 | |||
|
Private Affairs
Cinematographer |
1940 | |||
|
Sandy Is a Lady
Cinematographer |
1940 | |||
|
Ski Patrol
Cinematographer |
1940 | |||
The Bank Dick
Cinematographer |
1940 | |||
The House of the Seven Gables
Cinematographer |
1940 | |||
The Invisible Man Returns
Cinematographer |
1940 | |||
|
The Man from Montreal
Cinematographer |
1940 | |||
|
Trail of the Vigilantes
Cinematographer |
1940 | |||
|
Zanzibar
Cinematographer |
1940 | |||
|
I Stole a Million
Cinematographer |
1939 | |||
|
Little Accident
Cinematographer |
1939 | |||
|
Missing Evidence
Cinematographer |
1939 | |||
|
Newsboy's Home
Cinematographer |
1939 | |||
|
The Family Next Door
Cinematographer |
1939 | |||
|
The House of Fear
Cinematographer |
1939 | |||
You Can't Cheat an Honest Man
Cinematographer |
1939 | |||
|
Midnight Intruder
Cinematographer |
1938 | |||
|
Nurse from Brooklyn
Cinematographer |
1938 | |||
|
The Crime of Dr. Hallet
Cinematographer |
1938 | |||
The Devil's Party
Cinematographer |
1938 | |||
|
The Jury's Secret
Cinematographer |
1938 | |||
|
The Missing Guest
Cinematographer |
1938 | |||
|
The Storm
Cinematographer |
1938 | |||
|
A Girl with Ideas
Cinematographer |
1937 | |||
|
Love in a Bungalow
Cinematographer |
1937 | |||
|
Mysterious Crossing
Cinematographer |
1937 | |||
|
Oh, Doctor
Cinematographer |
1937 | |||
|
Prescription for Romance
Cinematographer |
1937 | |||
|
She's Dangerous
Cinematographer |
1937 | |||
|
The Lady Fights Back
Cinematographer |
1937 | |||
|
There Goes the Groom
Cinematographer |
1937 | |||
|
We Have Our Moments
Cinematographer |
1937 | |||
|
Cheers of the Crowd
Cinematographer |
1936 | |||
|
Crash Donovan
Cinematographer |
1936 | |||
|
Forbidden Heaven
Cinematographer |
1936 | |||
|
Honeymoon Limited
Cinematographer |
1936 | |||
|
Laughing Irish Eyes
Cinematographer |
1936 | |||
|
Love Letters of a Star
Cinematographer |
1936 | |||
Mister Cinderella
Cinematographer |
1936 | |||
|
The Girl on the Front Page
Cinematographer |
1936 | |||
Yellowstone
Cinematographer |
1936 | |||
Great God Gold
Cinematographer |
1935 | |||
|
Hold 'em Yale
Cinematographer |
1935 | |||
Make a Million
Cinematographer |
1935 | |||
|
Murder in the Fleet
Cinematographer |
1935 | |||
|
The Great Impersonation
Cinematographer |
1935 | |||
|
The Virginia Judge
Cinematographer |
1935 | |||
|
Women Must Dress
Cinematographer |
1935 | |||
Death on the Diamond
Cinematographer |
1934 | |||
|
Paris Interlude
Cinematographer |
1934 | |||
|
Private Scandal
Cinematographer |
1934 | |||
|
She Made Her Bed
Cinematographer |
1934 | |||
|
The Great Flirtation
Cinematographer |
1934 | |||
|
Golden Harvest
Cinematographer |
1933 | |||
|
I Love That Man
Cinematographer |
1933 | |||
|
Sitting Pretty
Cinematographer |
1933 | |||
|
Strictly Personal
Cinematographer |
1933 |
