American producer and director Merian C. Cooper met his partner Ernest B. Schoedsack in Poland just after serving as a lieutenant colonel with the Kosciusko Flying Squadron during World War I. Together the two went on to co-direct two documentaries. Their success lead Cooper and Schoedsack to begin working in fictional features notable for their exotic backgrounds. Their most famous film is the classic King Kong (1933), in which Cooper also acted. In 1933, he gave up directing in favor of full-time producing when he succeeded long-time friend David O. Selznick as vice president in charge of production at RKO. Selznick then appointed Cooper the vice-president of Selznick International Pictures in 1936. Cooper entered the U.S. Army Air Corps during World War II where he became a colonel and chief of staff to General Claire Chennault in China. When he finally retired from the military, he was a brigadier general in the U.S. Air Force. In 1947, he and director John Ford formed Argosy Pictures where Cooper co-produced many of Ford's movies. In addition to working in films and the military, Cooper is also the author of several books including The Sea Gypsy, Under the White Eagle, and King Kong. He co-produced the first Cinerama presentation in 1952; that year, he also won an honorary Oscar for his many contributions to American cinema.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
King Kong
From Screenplay by |
2005 | |||
|
Mighty Joe Young
Screen Story |
1998 | |||
|
King Kong
From Idea By |
1976 | |||
|
The Best of Cinerama
Co-producer |
1963 | |||
|
The Searchers
Executive Producer |
1956 | |||
|
The Sun Shines Bright
Producer |
1953 | |||
|
The Quiet Man
Producer |
1952 | |||
|
This Is Cinerama
Director, Producer |
1952 | |||
|
Rio Grande
Producer |
1950 | |||
|
Wagon Master
Producer |
1950 | |||
|
Mighty Joe Young
Producer |
1949 | |||
|
She Wore a Yellow Ribbon
Producer |
1949 | |||
|
Fort Apache
Producer |
1948 | |||
|
The Fugitive
Producer |
1948 | |||
|
The Three Godfathers
Producer |
1948 | |||
|
Dr. Cyclops
Producer |
1940 | |||
|
The Toy Wife
Producer |
1938 | |||
|
She
Producer |
1935 | |||
|
The Last Days of Pompeii
Producer |
1935 | |||
|
Flaming Gold
Producer |
1934 | |||
|
After Tonight
Executive Producer |
1933 | |||
|
Ann Vickers
Executive Producer |
1933 | |||
|
Bed of Roses
Executive Producer |
1933 | |||
|
Chance at Heaven
Producer |
1933 | |||
|
Double Harness
Producer |
1933 | |||
|
Emergency Call
Executive Producer |
1933 | |||
|
Finishing School
Executive Producer |
1933 | |||
|
Flying Down to Rio
Executive Producer |
1933 | |||
|
Headline Shooter
Executive Producer |
1933 | |||
|
If I Were Free
Executive Producer |
1933 | |||
|
King Kong
Actor, Director, Producer |
1933 | |||
|
Little Women
Executive Producer |
1933 | |||
|
Lucky Devils
Associate Producer |
1933 | |||
|
No Marriage Ties
Executive Producer |
1933 | |||
|
Professional Sweetheart
Executive Producer |
1933 | |||
|
Rafter Romance
Executive Producer |
1933 | |||
|
The Right to Romance
Producer |
1933 | |||
|
The Silver Cord
Executive Producer |
1933 | |||
|
Melody Cruise
Executive Producer |
1932 | |||
|
Roar of the Dragon
Screen Story |
1932 | |||
|
The Most Dangerous Game
Producer |
1932 | |||
|
The Four Feathers
Cinematographer, Director |
1928 | |||
|
Chang: A Drama of the Wilderness
Director, Producer, Screenwriter |
1927 | |||
|
Grass
Director |
1925 |



