A law student at the University of Southern California, Maxwell Shane let slip his legal aspirations by becoming a journalist. He began his Hollywood career as a publicist, then graduated to screenwriter in 1937. Many of his scripts were forgettable time-fillers, with such scattered exceptions as that heartfelt exercise in Americana, Wait Till the Sun Shines, Nellie (1952). A director from 1947, Maxwell Shane was attracted to such noir-ish projects as Fear in the Night (1947), City Across the River (1949) (adapted by Shane from Irving Shulman's The Amboy Dukes), and The Naked Street (1955).
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Nightmare
Director, Screenwriter |
1956 | |||
|
Hell's Island
Screenwriter |
1955 | |||
|
The Naked Street
Director, Screenwriter |
1955 | |||
|
Three Hours to Kill
Screenwriter |
1954 | |||
|
The Glass Wall
Director, Screenwriter |
1953 | |||
|
Wait Till the Sun Shines, Nellie
Screenwriter |
1952 | |||
|
City Across the River
Director, Producer, Screenwriter |
1949 | |||
|
Mr. Reckless
Screenwriter |
1948 | |||
|
Shaggy
Screenwriter |
1948 | |||
|
Adventure Island
Screenwriter |
1947 | |||
|
Big Town
Screen Story |
1947 | |||
|
Danger Street
Screenwriter |
1947 | |||
|
Fear in the Night
Director, Screenwriter |
1947 | |||
|
Seven Were Saved
Screenwriter |
1947 | |||
|
People Are Funny
Screenwriter |
1946 | |||
|
The Man Who Dared
Screen Story |
1946 | |||
|
Follow That Woman
Screenwriter |
1945 | |||
|
High Powered
Screenwriter |
1945 | |||
|
One Exciting Night
Producer |
1945 | |||
|
Scared Stiff
Screenwriter |
1945 | |||
|
Tokyo Rose
Screenwriter |
1945 | |||
|
Dark Mountain
Screenwriter |
1944 | |||
|
Double Exposure
Screenwriter |
1944 | |||
|
Gambler's Choice
Screenwriter |
1944 | |||
|
One Body Too Many
Screenwriter |
1944 | |||
|
The Navy Way
Screenwriter |
1944 | |||
|
Timber Queen
Screenwriter |
1944 | |||
|
Aerial Gunner
Screenwriter |
1943 | |||
|
Alaska Highway
Screenwriter |
1943 | |||
|
Cowboy in Manhattan
Screenwriter |
1943 | |||
|
High Explosive
Screenwriter |
1943 | |||
|
Minesweeper
Screenwriter |
1943 | |||
|
Submarine Alert
Screenwriter |
1943 | |||
|
Tornado
Screenwriter |
1943 | |||
|
A Letter from Bataan
Screenwriter |
1942 | |||
|
Eyes of the Underworld
Screen Story |
1942 | |||
|
I Live on Danger
Screenwriter |
1942 | |||
|
Top Sergeant
Screenwriter |
1942 | |||
|
Torpedo Boat
Screenwriter |
1942 | |||
|
Wildcat
Screenwriter |
1942 | |||
|
Wrecking Crew
Screenwriter |
1942 | |||
|
A Dangerous Game
Screenwriter |
1941 | |||
|
Flying Blind
Screenwriter |
1941 | |||
|
Forced Landing
Screenwriter |
1941 | |||
|
No Hands on the Clock
Screenwriter |
1941 | |||
|
Power Dive
Screenwriter |
1941 | |||
|
Too Many Blondes
Screenwriter |
1941 | |||
|
Comin' Round the Mountain
Screenwriter |
1940 | |||
|
Golden Gloves
Screenwriter |
1940 | |||
|
The Leather-Pushers
Screenwriter |
1940 | |||
|
The Mummy's Hand
Screenwriter |
1940 | |||
|
Federal Man-Hunt
Screenwriter |
1939 | |||
|
Grand Jury Secrets
Screen Story |
1939 | |||
|
S.O.S. Tidal Wave
Screenwriter |
1939 | |||
|
Adventure in Sahara
Screenwriter |
1938 | |||
|
She's Got Everything
Screen Story |
1938 | |||
|
Tip-Off Girls
Screenwriter |
1938 | |||
|
Hitting a New High
Screen Story |
1937 | |||
|
This Way Please
Screen Story |
1937 | |||
|
You Can't Beat Love
Screenwriter |
1937 | |||
|
You're a Sweetheart
Screen Story |
1937 |
