Austrian-born film composer Max Steiner was the grandson of the musical impresario who discovered Strauss and brought Offenbach to Vienna. Growing up with a rich heritage of opera and symphony all about him, Steiner developed into a musical prodigy; at the age of thirteen he graduated from the Imperial Academy of Music, completing the course in one year and winning the Gold Medal of the Emperor. Already a composer at 14 and conductor at 16, Steiner moved from Austria to England in 1905, remaining there to conduct at His Majesty's Theatre until 1914. With the outbreak of the war, Steiner emigrated to America, where he kept busy with Broadway musicals and operettas. One of his most beneficial American jobs was to compose the music to be conducted during screenings of the silent film The Bondman (1915); he became a friend of William Fox, the film's producer, giving Steiner early entree into the Hollywood that would so gainfully employ him in later years. In 1929, he was brought to fledgling RKO Radio Studios to orchestrate the film adaptation of Ziegfeld's Rio Rita (1929). Always confident in his talents, Steiner was realistic enough to understand that he was hired by RKO because he cost a tenth of what someone like Stowkowski would charge. While at RKO, Steiner developed his theory that music should be a function of the dramatic content of a film, and not merely background filling. His scores for such films as Symphony of Six Million (1932), The Informer (1935), and, especially, King Kong (1933) are carefully integrated works, commenting upon the visual images, augmenting the action, and heightening the dramatic impact. While Steiner's detractors would characterize his spell-it-out technique as "Mickey Mousing" (in reference to the music heard in animated cartoons), producers, directors, and stars came to rely upon Steiner to make a good film better, and a great film superb. After 111 pictures at RKO, Steiner was hired by David O. Selznick, who assigned the composer to write the score for Gone with the Wind (1939). Virtually 75 percent of this 221-minute epic required music of some sort, and Steiner rose to the occasion with what many consider his finest work. One concept refined in Gone with the Wind was to give each important character his or her own separate musical motif -- quite an undertaking when one realizes how many speaking parts there were in the film. Around that time Steiner began working at Warner Bros, where he penned the studio's famous "opening logo" fanfare and also provided evocative scores for such classics as Now Voyager (1941), Casablanca (1942) and Mildred Pierce (1945). A proud, vain man, Steiner frequently found himself the butt of good-natured practical jokes from his fellow composers, but at Oscar time it was usually Steiner who had the last laugh. Steiner remained active until 1965, contributing scores to The Caine Mutiny (1954), The Searchers (1955), A Summer Place (1959) and many other films. It was only at the very end of his career, with such retrogressive scores as Youngblood Hawke (1964), that Max Steiner's once-revolutionary technique began to sound old hat.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
A Hundred and One Nights
Featured Music |
1995 | |||
|
Hollywood Sound
Featured Music |
1995 | |||
Play It Again, Sam
Featured Music |
1972 | |||
Those Calloways
Composer (Music Score) |
1965 | |||
Two on a Guillotine
Composer (Music Score) |
1965 | |||
A Distant Trumpet
Composer (Music Score) |
1964 | |||
|
FBI Code 98
Composer (Music Score) |
1964 | |||
Youngblood Hawke
Composer (Music Score) |
1964 | |||
Spencer's Mountain
Composer (Music Score) |
1963 | |||
Rome Adventure
Composer (Music Score) |
1962 | |||
A Majority of One
Composer (Music Score) |
1961 | |||
Parrish
Composer (Music Score) |
1961 | |||
|
Portrait of a Mobster
Composer (Music Score) |
1961 | |||
Susan Slade
Composer (Music Score) |
1961 | |||
Ice Palace
Composer (Music Score) |
1960 | |||
|
The Dark at the Top of the Stairs
Composer (Music Score) |
1960 | |||
The Sins of Rachel Cade
Composer (Music Score) |
1960 | |||
A Summer Place
Composer (Music Score) |
1959 | |||
Cash McCall
Composer (Music Score) |
1959 | |||
John Paul Jones
Composer (Music Score) |
1959 | |||
The FBI Story
Composer (Music Score) |
1959 | |||
The Hanging Tree
Composer (Music Score) |
1959 | |||
Darby's Rangers
Composer (Music Score) |
1958 | |||
Fort Dobbs
Composer (Music Score) |
1958 | |||
Marjorie Morningstar
Composer (Music Score) |
1958 | |||
Band of Angels
Composer (Music Score) |
1957 | |||
China Gate
Composer (Music Score) |
1957 | |||
|
Escapade in Japan
Composer (Music Score) |
1957 | |||
All Mine to Give
Composer (Music Score) |
1956 | |||
|
Bandido
Composer (Music Score) |
1956 | |||
|
Come Next Spring
Composer (Music Score), Songwriter |
1956 | |||
|
Death of a Scoundrel
Composer (Music Score) |
1956 | |||
The Kettles in the Ozarks
Composer (Music Score) |
1956 | |||
The Searchers
Composer (Music Score) |
1956 | |||
Battle Cry
Composer (Music Score) |
1955 | |||
Helen of Troy
Composer (Music Score), Screenwriter |
1955 | |||
|
Hell on Frisco Bay
Composer (Music Score) |
1955 | |||
Illegal
Composer (Music Score) |
1955 | |||
The Last Command
Composer (Music Score), Musical Direction/Supervision |
1955 | |||
The McConnell Story
Composer (Music Score) |
1955 | |||
King Richard and the Crusaders
Composer (Music Score) |
1954 | |||
|
The Boy from Oklahoma
Composer (Music Score) |
1954 | |||
The Caine Mutiny
Composer (Music Score) |
1954 | |||
The Violent Men
Composer (Music Score) |
1954 | |||
By the Light of the Silvery Moon
Composer (Music Score) |
1953 | |||
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So Big
Composer (Music Score) |
1953 | |||
So This Is Love
Composer (Music Score) |
1953 | |||
The Charge at Feather River
Composer (Music Score) |
1953 | |||
The Desert Song
Composer (Music Score) |
1953 | |||
The Jazz Singer
Composer (Music Score) |
1953 | |||
Trouble Along the Way
Composer (Music Score) |
1953 | |||
Mara Maru
Composer (Music Score) |
1952 | |||
Room for One More
Composer (Music Score) |
1952 | |||
Springfield Rifle
Composer (Music Score) |
1952 | |||
The Iron Mistress
Composer (Music Score) |
1952 | |||
The Lion and the Horse
Composer (Music Score) |
1952 | |||
The Miracle of Our Lady of Fatima
Composer (Music Score) |
1952 | |||
|
This Is Cinerama
Composer (Music Score) |
1952 | |||
Close to My Heart
Composer (Music Score) |
1951 | |||
Distant Drums
Composer (Music Score) |
1951 | |||
Force of Arms
Composer (Music Score) |
1951 | |||
I Was a Communist for the F.B.I.
Composer (Music Score) |
1951 | |||
Jim Thorpe - All American
Composer (Music Score) |
1951 | |||
Lightning Strikes Twice
Composer (Music Score) |
1951 | |||
On Moonlight Bay
Composer (Music Score) |
1951 | |||
Operation Pacific
Composer (Music Score) |
1951 | |||
|
Raton Pass
Composer (Music Score) |
1951 | |||
Sugarfoot
Composer (Music Score) |
1951 | |||
Caged
Composer (Music Score) |
1950 | |||
Dallas
Composer (Music Score) |
1950 | |||
Rocky Mountain
Composer (Music Score) |
1950 | |||
The Flame and the Arrow
Composer (Music Score) |
1950 | |||
|
The Glass Menagerie
Composer (Music Score) |
1950 | |||
A Kiss in the Dark
Composer (Music Score) |
1949 | |||
Beyond the Forest
Composer (Music Score) |
1949 | |||
Flamingo Road
Composer (Music Score) |
1949 | |||
|
Mrs. Mike
Composer (Music Score) |
1949 | |||
|
Oh, You Beautiful Doll
Composer (Music Score) |
1949 | |||
The Adventures of Don Juan
Composer (Music Score) |
1949 | |||
The Fountainhead
Composer (Music Score) |
1949 | |||
The Lady Takes a Sailor
Composer (Music Score) |
1949 | |||
White Heat
Composer (Music Score) |
1949 | |||
Without Honor
Composer (Music Score), Musical Direction/Supervision |
1949 | |||
Fighter Squadron
Composer (Music Score) |
1948 | |||
Johnny Belinda
Composer (Music Score) |
1948 | |||
Key Largo
Composer (Music Score) |
1948 | |||
My Girl Tisa
Composer (Music Score) |
1948 | |||
Silver River
Composer (Music Score) |
1948 | |||
South of St. Louis
Composer (Music Score) |
1948 | |||
|
The Decision of Christopher Blake
Composer (Music Score) |
1948 | |||
The Treasure of the Sierra Madre
Composer (Music Score) |
1948 | |||
The Woman in White
Composer (Music Score) |
1948 | |||
Winter Meeting
Composer (Music Score) |
1948 | |||
|
Cheyenne
Composer (Music Score), Songwriter |
1947 | |||
Deep Valley
Composer (Music Score) |
1947 | |||
Life With Father
Composer (Music Score) |
1947 | |||
|
Love and Learn
Composer (Music Score) |
1947 | |||
My Wild Irish Rose
Composer (Music Score) |
1947 | |||
Pursued
Composer (Music Score) |
1947 | |||
The Unfaithful
Composer (Music Score) |
1947 | |||
|
The Voice of the Turtle
Composer (Music Score) |
1947 | |||
A Stolen Life
Composer (Music Score) |
1946 | |||
Cloak and Dagger
Composer (Music Score) |
1946 | |||
|
Her Kind of Man
Composer (Music Score) |
1946 | |||
My Reputation
Composer (Music Score) |
1946 | |||
Night and Day
Composer (Music Score) |
1946 | |||
One More Tomorrow
Composer (Music Score) |
1946 | |||
The Beast with Five Fingers
Composer (Music Score) |
1946 | |||
The Big Sleep
Composer (Music Score) |
1946 | |||
The Man I Love
Composer (Music Score) |
1946 | |||
Tomorrow Is Forever
Composer (Music Score), Songwriter |
1946 | |||
Mildred Pierce
Composer (Music Score) |
1945 | |||
Rhapsody in Blue
Composer (Music Score) |
1945 | |||
Roughly Speaking
Composer (Music Score) |
1945 | |||
San Antonio
Composer (Music Score) |
1945 | |||
Saratoga Trunk
Composer (Music Score), Songwriter |
1945 | |||
|
The Big Sleep (1945 pre-release version)
Composer (Music Score) |
1945 | |||
The Corn Is Green
Composer (Music Score) |
1945 | |||
Arsenic and Old Lace
Composer (Music Score) |
1944 | |||
Passage to Marseille
Composer (Music Score), Songwriter |
1944 | |||
Since You Went Away
Composer (Music Score) |
1944 | |||
The Adventures of Mark Twain
Composer (Music Score) |
1944 | |||
|
The Conspirators
Composer (Music Score) |
1944 | |||
To Have and Have Not
Composer (Music Score) |
1944 | |||
Mission to Moscow
Composer (Music Score) |
1943 | |||
This Is the Army
Composer (Music Score) |
1943 | |||
Watch on the Rhine
Composer (Music Score) |
1943 | |||
Captains of the Clouds
Composer (Music Score) |
1942 | |||
Casablanca
Composer (Music Score) |
1942 | |||
Desperate Journey
Composer (Music Score) |
1942 | |||
In This Our Life
Composer (Music Score) |
1942 | |||
Now, Voyager
Composer (Music Score), Songwriter |
1942 | |||
|
The Gay Sisters
Composer (Music Score) |
1942 | |||
Dive Bomber
Composer (Music Score) |
1941 | |||
Four Mothers
Composer (Music Score) |
1941 | |||
|
One Foot in Heaven
Composer (Music Score) |
1941 | |||
Sergeant York
Composer (Music Score) |
1941 | |||
|
Shining Victory
Composer (Music Score) |
1941 | |||
The Bride Came C.O.D.
Composer (Music Score) |
1941 | |||
The Great Lie
Composer (Music Score) |
1941 | |||
They Died With Their Boots On
Composer (Music Score) |
1941 | |||
A Dispatch from Reuters
Composer (Music Score) |
1940 | |||
All This and Heaven Too
Composer (Music Score) |
1940 | |||
City for Conquest
Composer (Music Score) |
1940 | |||
Dr. Ehrlich's Magic Bullet
Composer (Music Score) |
1940 | |||
Santa Fe Trail
Composer (Music Score) |
1940 | |||
The Letter
Composer (Music Score) |
1940 | |||
|
Tugboat Annie Sails Again
Composer (Music Score) |
1940 | |||
Virginia City
Composer (Music Score) |
1940 | |||
Confessions of a Nazi Spy
Composer (Music Score) |
1939 | |||
Dark Victory
Composer (Music Score) |
1939 | |||
Daughters Courageous
Composer (Music Score) |
1939 | |||
Dodge City
Composer (Music Score) |
1939 | |||
|
Dust Be My Destiny
Composer (Music Score) |
1939 | |||
Each Dawn I Die
Composer (Music Score) |
1939 | |||
Four Wives
Composer (Music Score) |
1939 | |||
/_derived_png24_120x82_m0/000253r1.png?partner=allrovi.com)
Gone With the Wind
Composer (Music Score) |
1939 | |||
Intermezzo
Composer (Music Score) |
1939 | |||
Stagecoach
Composer (Music Score) |
1939 | |||
The Oklahoma Kid
Composer (Music Score) |
1939 | |||
The Old Maid
Composer (Music Score) |
1939 | |||
They Made Me a Criminal
Composer (Music Score) |
1939 | |||
|
We Are Not Alone
Composer (Music Score) |
1939 | |||
Angels With Dirty Faces
Composer (Music Score) |
1938 | |||
Crime School
Composer (Music Score) |
1938 | |||
Four Daughters
Composer (Music Score) |
1938 | |||
Gold Is Where You Find It
Composer (Music Score) |
1938 | |||
Jezebel
Composer (Music Score) |
1938 | |||
The Adventures of Tom Sawyer
Composer (Music Score) |
1938 | |||
The Amazing Dr. Clitterhouse
Composer (Music Score) |
1938 | |||
The Dawn Patrol
Composer (Music Score) |
1938 | |||
The Sisters
Composer (Music Score) |
1938 | |||
|
White Banners
Composer (Music Score) |
1938 | |||
A Star Is Born
Composer (Music Score) |
1937 | |||
First Lady
Composer (Music Score) |
1937 | |||
God's Country and the Woman
Composer (Music Score) |
1937 | |||
Green Light
Composer (Music Score) |
1937 | |||
Kid Galahad
Composer (Music Score) |
1937 | |||
/_derived_png24_120x82_m0/lsthz_katos_2_h.png?partner=allrovi.com)
Lost Horizon
Musical Direction/Supervision |
1937 | |||
Slim
Composer (Music Score) |
1937 | |||
|
Submarine D-1
Composer (Music Score) |
1937 | |||
That Certain Woman
Composer (Music Score) |
1937 | |||
The Life of Emile Zola
Composer (Music Score) |
1937 | |||
|
Tovarich
Composer (Music Score) |
1937 | |||
Follow the Fleet
Composer (Music Score), Musical Direction/Supervision |
1936 | |||
Little Lord Fauntleroy
Composer (Music Score) |
1936 | |||
|
M'Liss
Composer (Music Score) |
1936 | |||
Mary of Scotland
Composer (Music Score) |
1936 | |||
The Charge of the Light Brigade
Composer (Music Score) |
1936 | |||
The Garden of Allah
Composer (Music Score) |
1936 | |||
Winterset
Composer (Music Score) |
1936 | |||
Alice Adams
Composer (Music Score) |
1935 | |||
Break of Hearts
Composer (Music Score) |
1935 | |||
|
By Your Leave
Composer (Music Score) |
1935 | |||
|
Dangerous Corner
Composer (Music Score), Musical Direction/Supervision |
1935 | |||
|
Gridiron Flash
Composer (Music Score) |
1935 | |||
|
I Dream Too Much
Musical Direction/Supervision |
1935 | |||
Roberta
Musical Direction/Supervision |
1935 | |||
She
Composer (Music Score) |
1935 | |||
Star of Midnight
Composer (Music Score), Musical Direction/Supervision |
1935 | |||
The Informer
Composer (Music Score) |
1935 | |||
The Three Musketeers
Composer (Music Score) |
1935 | |||
Top Hat
Musical Direction/Supervision |
1935 | |||
Anne of Green Gables
Composer (Music Score), Musical Direction/Supervision |
1934 | |||
|
Bachelor Bait
Composer (Music Score), Musical Direction/Supervision |
1934 | |||
|
Down to Their Last Yacht
Composer (Music Score), Musical Direction/Supervision, Songwriter |
1934 | |||
|
Hips, Hips, Hooray
Musical Direction/Supervision |
1934 | |||
|
Let's Try Again
Musical Direction/Supervision |
1934 | |||
|
Man of Two Worlds
Musical Direction/Supervision |
1934 | |||
|
Murder on the Blackboard
Musical Direction/Supervision |
1934 | |||
Of Human Bondage
Composer (Music Score) |
1934 | |||
Spitfire
Composer (Music Score) |
1934 | |||
|
Stingaree
Musical Direction/Supervision |
1934 | |||
|
Success at Any Price
Musical Direction/Supervision |
1934 | |||
/_derived_png24_75x75_m0/TheAgeofInnocence1934-PosterArt.png?partner=allrovi.com)
The Age of Innocence
Composer (Music Score) |
1934 | |||
|
The Crime Doctor
Composer (Music Score) |
1934 | |||
|
The Fountain
Composer (Music Score) |
1934 | |||
The Gay Divorcee
Musical Direction/Supervision |
1934 | |||
|
The Life of Vergie Winters
Composer (Music Score) |
1934 | |||
The Little Minister
Composer (Music Score) |
1934 | |||
The Lost Patrol
Composer (Music Score) |
1934 | |||
|
The Meanest Gal in Town
Musical Direction/Supervision |
1934 | |||
|
The Richest Girl in the World
Musical Direction/Supervision |
1934 | |||
The World Moves On
Composer (Music Score) |
1934 | |||
|
Their Big Moment
Musical Direction/Supervision |
1934 | |||
|
This Man Is Mine
Composer (Music Score), Musical Direction/Supervision |
1934 | |||
|
Ace of Aces
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
After Tonight
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
Aggie Appleby
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
Ann Vickers
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
Bed of Roses
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
Before Dawn
Musical Direction/Supervision |
1933 | |||
|
Blind Adventure
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
Chance at Heaven
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
Christopher Strong
Composer (Music Score) |
1933 | |||
Diplomaniacs
Composer (Music Score) |
1933 | |||
|
Double Harness
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
Emergency Call
Composer (Music Score) |
1933 | |||
Finishing School
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
Flying Devils
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
Flying Down to Rio
Musical Direction/Supervision |
1933 | |||
|
Headline Shooter
Composer (Music Score) |
1933 | |||
If I Were Free
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
/_derived_png24_70x100_m0/KingKong1933-BoxArt1.png?partner=allrovi.com)
King Kong
Composer (Music Score) |
1933 | |||
Little Women
Composer (Music Score) |
1933 | |||
|
Lucky Devils
Composer (Music Score) |
1933 | |||
|
Midshipman Jack
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
Morning Glory
Composer (Music Score) |
1933 | |||
|
No Marriage Ties
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
No Other Woman
Composer (Music Score) |
1933 | |||
|
One Man's Journey
Composer (Music Score) |
1933 | |||
Our Betters
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
Professional Sweetheart
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
Rafter Romance
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
Son of Kong
Composer (Music Score) |
1933 | |||
|
Sweepings
Composer (Music Score) |
1933 | |||
|
The Cheyenne Kid
Composer (Music Score) |
1933 | |||
|
The Monkey's Paw
Composer (Music Score), Musical Direction/Supervision |
1933 | |||
|
The Right to Romance
Composer (Music Score) |
1933 | |||
|
The Silver Cord
Composer (Music Score) |
1933 | |||
|
Topaze
Composer (Music Score) |
1933 | |||
A Bill of Divorcement
Composer (Music Score) |
1932 | |||
Bird of Paradise
Composer (Music Score) |
1932 | |||
|
Carnival Boat
Songwriter |
1932 | |||
Girl Crazy
Musical Direction/Supervision |
1932 | |||
|
Girl of the Rio
Composer (Music Score) |
1932 | |||
|
Hell's Highway
Musical Direction/Supervision |
1932 | |||
|
Hold 'em Jail
Composer (Music Score) |
1932 | |||
|
Is My Face Red?
Composer (Music Score), Musical Direction/Supervision |
1932 | |||
|
Ladies of the Jury
Composer (Music Score) |
1932 | |||
|
Lady with a Past
Composer (Music Score), Musical Direction/Supervision |
1932 | |||
|
Little Orphan Annie
Composer (Music Score) |
1932 | |||
|
Melody Cruise
Musical Direction/Supervision |
1932 | |||
|
Men of Chance
Composer (Music Score) |
1932 | |||
|
Renegades of the West
Composer (Music Score) |
1932 | |||
|
Roar of the Dragon
Composer (Music Score) |
1932 | |||
|
Rockabye
Composer (Music Score), Musical Direction/Supervision |
1932 | |||
|
Secrets of the French Police
Composer (Music Score) |
1932 | |||
Symphony of Six Million
Composer (Music Score) |
1932 | |||
The Animal Kingdom
Composer (Music Score) |
1932 | |||
The Conquerors
Composer (Music Score) |
1932 | |||
|
The Half-Naked Truth
Composer (Music Score), Musical Direction/Supervision |
1932 | |||
|
The Lost Squadron
Composer (Music Score) |
1932 | |||
The Most Dangerous Game
Composer (Music Score) |
1932 | |||
|
The Penguin Pool Murder
Musical Direction/Supervision |
1932 | |||
|
The Phantom of Crestwood
Composer (Music Score) |
1932 | |||
|
The Saddle Buster
Musical Direction/Supervision |
1932 | |||
|
The Sport Parade
Composer (Music Score), Musical Direction/Supervision |
1932 | |||
Thirteen Women
Composer (Music Score) |
1932 | |||
|
Way Back Home
Composer (Music Score) |
1932 | |||
|
Westward Passage
Composer (Music Score), Musical Direction/Supervision |
1932 | |||
|
What Price Hollywood?
Composer (Music Score), Musical Direction/Supervision |
1932 | |||
|
Young Bride
Composer (Music Score) |
1932 | |||
|
Are These Our Children?
Composer (Music Score) |
1931 | |||
Beau Ideal
Composer (Music Score) |
1931 | |||
Consolation Marriage
Composer (Music Score) |
1931 | |||
|
Cracked Nuts
Composer (Music Score) |
1931 | |||
|
Fanny Foley Herself
Composer (Music Score) |
1931 | |||
|
Friends and Lovers
Composer (Music Score) |
1931 | |||
Kept Husbands
Composer (Music Score) |
1931 | |||
|
Secret Service
Composer (Music Score) |
1931 | |||
State's Attorney
Composer (Music Score) |
1931 | |||
|
The Gay Diplomat
Composer (Music Score), Musical Direction/Supervision |
1931 | |||
|
The Runaround
Composer (Music Score) |
1931 | |||
|
Transgression
Composer (Music Score) |
1931 | |||
|
Traveling Husbands
Composer (Music Score) |
1931 | |||
|
Young Donovan's Kid
Composer (Music Score) |
1931 | |||
Check and Double Check
Composer (Music Score) |
1930 | |||
/_derived_png24_70x100_m0/Cimarron1931-BoxArt.png?partner=allrovi.com)
Cimarron
Composer (Music Score) |
1930 | |||
Dixiana
Composer (Music Score), Musical Direction/Supervision |
1930 | |||
Half-Shot at Sunrise
Musical Direction/Supervision |
1930 | |||
Rio Rita
Composer (Music Score) |
1929 |
