Marie Menken was a U.S. painter who became a filmmaker in 1945 with her first work, Visual Variations on Noguchi, a rhythmic exploration of Noguchi's curvaceous sculptures. It was the first avant-garde film of its kind. Along with Maya Deren, Menken and her husband Willard Maas formed the basis of the avant-garde movement in '40s New York. Her work was noted for it's absence of obvious symbolism; it is also not drawn from literature unlike other avant-garde films of its time.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Notes on Marie Menken
Archival Appearance |
2006 | |||
|
Excursion
Cinematographer, Director |
1968 | |||
|
The Chelsea Girls
Actor |
1967 | |||
|
Watts With Eggs
Cinematographer, Director |
1967 | |||
|
Lights
Cinematographer, Director |
1966 | |||
|
Moonplay
Cinematographer, Director, Editor |
1966 | |||
|
Sidewalks
Director |
1966 | |||
|
Andy Warhol
Cinematographer, Director |
1965 | |||
|
Go Go Go
Cinematographer, Director, Editor |
1964 | |||
|
Notebook
Director |
1963 | |||
|
Arabesque for Kenneth Anger
Cinematographer, Director, Editor |
1961 | |||
|
Bagatelle for Willard Maas
Cinematographer, Director, Editor |
1961 | |||
|
Drips in Strips
Animator, Director |
1961 | |||
|
Eye Music in Red Major
Cinematographer, Director, Editor |
1961 | |||
|
Dwightiana
Cinematographer, Director |
1957 | |||
|
Glimpse of the Garden
Cinematographer, Director, Editor |
1957 | |||
|
Hurry! Hurry!
Director, Editor |
1957 | |||
|
Visual Variations on Noguchi
Cinematographer, Director |
1945 | |||
|
Geography of the Body
Actor, Cinematographer, Special Effects |
1943 | |||
|
The Gravediggers from Guadix
Director |
NOT YET RELEASED |