A child prodigy, accompanist, and renowned composer for Broadway, films, television, and radio, Jule Styne has penned the music for some of America's best-loved and most enduring songs, including "Anchors Aweigh," "Let It Snow, Let it Snow, Let it Snow," and "People." One of the most prolific songwriter/composers in American theater, Styne specialized in creating songs especially suited for particular Broadway divas like Carol Channing and Barbara Streisand. Working closely with Frank Loesser and Sammy Cahn through the 1930s, 1940s, and 1950s, he also penned many movie songs. In 1954, he shared an Oscar for the title song "Three Coins in the Fountain." He later earned a Tony for Hallelujah Baby!, a New York Drama Critics Circle award, and two Grammys.
Born Julius Kerwin Stein in London, he was still a child when he and his family emigrated to the U.S. A prodigy who had recieved classical training since early childhood, by age eight Styne was a gifted concert pianist and occasional soloist with the Chicago Symphony. After further studies at the Chicago College of Music, he played with various bands and accompanied such stars as Fanny Brice, Helen Morgan, and Al Jolson, for whom Styne wrote the song "Sunday" in 1926. In 1931, Styne formed his own band. By mid-decade he was a noted vocal arranger and was working in Hollywood as a songwriter and voice teacher to stars such as Shirley Temple and Alice Faye. During this period in Tinseltown, Styne made a name for himself with his upbeat, memorable tunes. In addition to working with Frank Loesser and Cahn, Styne frequently worked with such lyricists as Betty Comden, Adolph Green, Bob Merrill, Susan Birkenhead, and Stephen Sondheim. It was with the last that he created the memorable songs for the Broadway staple Gypsy. Originally starring Ethel Merman as the ultimate stage mother, Styne wrote the song "Rose's Turn" especially for her. For Carol Channing, who played Lorelei Lee in the 1949 production of Gentleman Prefer Blondes, he penned the sparkling "Diamonds Are a Girl's Best Friend," which later became one of Marilyn Monroe's most famous songs, as well as a hit for Barbara Streisand. For Streisand, he penned such energetic tunes as "Don't Rain on My Parade" (with lyricist Bob Merrill) in her breakout show Funny Girl. Shortly before his death of heart failure on September 20, 1994, Jule Styne was working on a revival of Gentlemen Prefer Blondes at the Goodspeed Opera House in Connecticut.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
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Peter Pan
Additional Music |
1997 | |||
|
Radio Days
Songwriter |
1987 | |||
|
Thieves
Composer (Music Score), Songwriter |
1977 | |||
|
Funny Girl
Composer (Music Score), From Musical by, Screenwriter |
1968 | |||
|
The Dangerous Christmas of Red Riding Hood
Composer (Music Score) |
1965 | |||
|
Judy Garland: Judy Garland & Friends
Composer (Music Score) |
1963 | |||
|
Gypsy
Composer (Music Score) |
1962 | |||
|
Mr. Magoo's Christmas Carol
Composer (Music Score) |
1962 | |||
|
Bells Are Ringing
Composer (Music Score), From Musical by, Songwriter |
1960 | |||
|
Have Rocket, Will Travel
Songwriter |
1959 | |||
|
Juke Box Rhythm
Composer (Music Score) |
1959 | |||
|
Ruggles of Red Gap
Composer (Music Score) |
1957 | |||
|
Saturday Spectacular: High Button Shoes
Composer (Music Score) |
1956 | |||
|
My Sister Eileen
Songwriter |
1955 | |||
|
Living It Up
From Musical by |
1954 | |||
| 1954 | ||||
|
Three Coins in the Fountain
Composer (Music Score), Songwriter |
1954 | |||
|
Gentlemen Prefer Blondes
Composer (Music Score) |
1953 | |||
|
Double Dynamite
Songwriter |
1951 | |||
|
Meet Me After the Show
Composer (Music Score) |
1951 | |||
|
The Dakota Kid
Songwriter |
1951 | |||
|
It's a Great Feeling
Composer (Music Score) |
1949 | |||
|
The Golden Stallion
Songwriter |
1949 | |||
|
Romance on the High Seas
Composer (Music Score) |
1948 | |||
|
Ladies' Man
Composer (Music Score) |
1947 | |||
|
Earl Carroll Sketchbook
Songwriter |
1946 | |||
|
The Kid from Brooklyn
Composer (Music Score), Songwriter |
1946 | |||
|
Anchors Aweigh
Composer (Music Score), Songwriter |
1945 | |||
|
Behind City Lights
Songwriter |
1945 | |||
|
Tonight and Every Night
Composer (Music Score) |
1945 | |||
|
Carolina Blues
Composer (Music Score), Songwriter |
1944 | |||
|
Casanova in Burlesque
Songwriter |
1944 | |||
|
Follow the Boys
Composer (Music Score) |
1944 | |||
|
Jam Session
Composer (Music Score) |
1944 | |||
|
Janie
Songwriter |
1944 | |||
|
Knickerbocker Holiday
Songwriter |
1944 | |||
|
Step Lively
Composer (Music Score) |
1944 | |||
|
Change of Heart
Composer (Music Score), Musical Direction/Supervision |
1943 | |||
|
Henry Aldrich Swings It
Songwriter |
1943 | |||
|
Youth on Parade
Composer (Music Score) |
1943 | |||
|
Beyond the Blue Horizon
Songwriter |
1942 | |||
|
Priorities on Parade
Composer (Music Score) |
1942 | |||
|
Sweater Girl
Songwriter |
1942 | |||
|
Angels with Broken Wings
Songwriter |
1941 | |||
|
Gauchos of El Dorado
From Musical by, Songwriter |
1941 | |||
|
Sailors on Leave
Songwriter |
1941 | |||
|
Girl from Havana
Songwriter |
1940 | |||
|
Hit Parade of 1941
Composer (Music Score) |
1940 | |||
|
Melody Ranch
Composer (Music Score) |
1940 | |||
|
Sing, Dance, Plenty Hot
Composer (Music Score) |
1940 | |||
|
Slightly Honorable
Composer (Music Score) |
1940 | |||
|
The House Across the Bay
Songwriter |
1940 | |||
|
Pack up Your Troubles
Songwriter |
1939 | |||
|
Stop, Look, and Love
Songwriter |
1939 |



