Cinematographer Joe MacDonald was born to American parents in Mexico City. He joined the film industry in the early 1920s as an assistant cameraman; by the early 1940s he had been promoted to director of photography where he became known for his excellent photography with both black-and-white and color film. He was also equally at home filming indoors or out.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
MacKenna's Gold
Cinematographer |
1969 | |||
A Guide for the Married Man
Cinematographer |
1967 | |||
Alvarez Kelly
Cinematographer |
1966 | |||
|
Blindfold
Cinematographer |
1966 | |||
/_derived_png24_120x82_m0/Mirage1965-PosterArt.png?partner=allrovi.com)
Mirage
Cinematographer |
1966 | |||
The Sand Pebbles
Cinematographer |
1966 | |||
|
The Reward
Cinematographer |
1965 | |||
|
Flight from Ashiya
Cinematographer |
1964 | |||
Invitation to a Gunfighter
Cinematographer |
1964 | |||
Rio Conchos
Cinematographer |
1964 | |||
The Carpetbaggers
Cinematographer |
1964 | |||
Where Love Has Gone
Cinematographer |
1964 | |||
40 Pounds of Trouble
Cinematographer |
1963 | |||
Kings of the Sun
Cinematographer |
1963 | |||
The List of Adrian Messenger
Cinematographer |
1963 | |||
Taras Bulba
Cinematographer |
1962 | |||
Walk on the Wild Side
Cinematographer |
1962 | |||
|
The Last Time I Saw Archie
Cinematographer |
1961 | |||
|
Pepe
Cinematographer |
1960 | |||
The Gallant Hours
Cinematographer |
1960 | |||
Warlock
Cinematographer |
1959 | |||
|
Ten North Frederick
Cinematographer |
1958 | |||
|
The Fiend Who Walked the West
Cinematographer |
1958 | |||
The Young Lions
Cinematographer |
1958 | |||
|
A Hatful of Rain
Cinematographer |
1957 | |||
The True Story of Jesse James
Cinematographer |
1957 | |||
Will Success Spoil Rock Hunter?
Cinematographer |
1957 | |||
Bigger Than Life
Cinematographer |
1956 | |||
|
Hilda Crane
Cinematographer |
1956 | |||
|
On the Threshold of Space
Cinematographer |
1956 | |||
|
Teenage Rebel
Cinematographer |
1956 | |||
House of Bamboo
Cinematographer |
1955 | |||
The Racers
Cinematographer |
1955 | |||
|
The View from Pompey's Head
Cinematographer |
1955 | |||
A Woman's World
Cinematographer |
1954 | |||
Broken Lance
Cinematographer |
1954 | |||
Hell and High Water
Cinematographer |
1954 | |||
How to Marry a Millionaire
Cinematographer |
1953 | |||
Pickup on South Street
Cinematographer |
1953 | |||
/_derived_png24_75x75_m0/Titanic1953-BoxArt.png?partner=allrovi.com)
Titanic
Cinematographer |
1953 | |||
Niagara
Cinematographer |
1952 | |||
O. Henry's Full House
Cinematographer |
1952 | |||
Viva Zapata!
Cinematographer |
1952 | |||
What Price Glory?
Cinematographer |
1952 | |||
As Young As You Feel
Cinematographer |
1951 | |||
Fourteen Hours
Cinematographer |
1951 | |||
You're in the Navy Now
Cinematographer |
1951 | |||
Panic in the Streets
Cinematographer |
1950 | |||
|
Stella
Cinematographer |
1950 | |||
|
Down to the Sea in Ships
Cinematographer |
1949 | |||
It Happens Every Spring
Cinematographer |
1949 | |||
Pinky
Cinematographer |
1949 | |||
Call Northside 777
Cinematographer |
1948 | |||
The Street with No Name
Cinematographer |
1948 | |||
Yellow Sky
Cinematographer |
1948 | |||
|
Moss Rose
Cinematographer |
1947 | |||
Behind Green Lights
Cinematographer |
1946 | |||
My Darling Clementine
Cinematographer |
1946 | |||
Shock!
Cinematographer |
1946 | |||
The Dark Corner
Cinematographer |
1946 | |||
|
Captain Eddie
Cinematographer |
1945 | |||
|
In the Meantime, Darling
Cinematographer |
1944 | |||
|
Sunday Dinner for a Soldier
Cinematographer |
1944 | |||
The Big Noise
Cinematographer |
1944 | |||
Wintertime
Cinematographer |
1943 | |||
|
Little Tokyo, USA
Cinematographer |
1942 | |||
|
Quiet Please, Murder
Cinematographer |
1942 | |||
|
That Other Woman
Cinematographer |
1942 | |||
The Man Who Wouldn't Die
Cinematographer |
1942 | |||
|
The Postman Didn't Ring
Cinematographer |
1942 | |||
Charlie Chan in Rio
Cinematographer |
1941 |
