American cinematographer Joseph La Shelle originally trained to be an electrical engineer before joining the film industry in 1924 as a lab assistant. One year later, he was promoted to assistant cameraman at Fox where he worked on such distinguished films as How Green Was My Valley (1941) and The Song of Bernadette (1943). La Shelle is noted for his facility with both black-and-white and color film. In 1944 he won an Oscar for his work on Laura. He continued filming until the late 1960s.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
80 Steps to Jonah
Cinematographer |
1969 | |||
U.M.C.
Cinematographer |
1969 | |||
Kona Coast
Cinematographer |
1968 | |||
Barefoot in the Park
Cinematographer |
1967 | |||
|
Seven Women
Cinematographer |
1966 | |||
The Chase
Cinematographer |
1966 | |||
The Fortune Cookie
Cinematographer |
1966 | |||
Kiss Me, Stupid!
Cinematographer |
1964 | |||
|
Wild and Wonderful
Cinematographer |
1964 | |||
A Child Is Waiting
Cinematographer |
1963 | |||
Irma La Douce
Cinematographer |
1963 | |||
How the West Was Won
Cinematographer |
1962 | |||
All in a Night's Work
Cinematographer |
1961 | |||
The Honeymoon Machine
Cinematographer |
1961 | |||
|
The Outsider
Cinematographer |
1961 | |||
The Apartment
Cinematographer |
1960 | |||
Career
Cinematographer |
1959 | |||
The Twilight Zone: Where Is Everybody?
Cinematographer |
1959 | |||
The Long, Hot Summer
Cinematographer |
1958 | |||
The Naked and the Dead
Cinematographer |
1958 | |||
Crime of Passion
Cinematographer |
1957 | |||
|
Fury at Showdown
Cinematographer |
1957 | |||
I Was a Teenage Werewolf
Cinematographer |
1957 | |||
No Down Payment
Cinematographer |
1957 | |||
|
The Abductors
Cinematographer |
1957 | |||
The Bachelor Party
Cinematographer |
1957 | |||
|
The Fuzzy Pink Nightgown
Cinematographer |
1957 | |||
Our Miss Brooks
Cinematographer |
1956 | |||
|
Run for the Sun
Cinematographer |
1956 | |||
The Conqueror
Cinematographer |
1956 | |||
Marty
Cinematographer |
1955 | |||
|
Storm Fear
Cinematographer |
1955 | |||
River of No Return
Cinematographer |
1954 | |||
Dangerous Crossing
Cinematographer |
1953 | |||
|
Mister Scoutmaster
Cinematographer |
1953 | |||
|
Mr. Scoutmaster
Cinematographer |
1953 | |||
Les Miserables
Cinematographer |
1952 | |||
My Cousin Rachel
Cinematographer |
1952 | |||
|
Something for the Birds
Cinematographer |
1952 | |||
|
The Outcasts of Poker Flat
Cinematographer |
1952 | |||
|
Elopement
Cinematographer |
1951 | |||
Mr. Belvedere Rings the Bell
Cinematographer |
1951 | |||
|
The 13th Letter
Cinematographer |
1951 | |||
|
The Guy Who Came Back
Cinematographer |
1951 | |||
|
Mister 880
Cinematographer |
1950 | |||
|
Mother Didn't Tell Me
Cinematographer |
1950 | |||
The Jackpot
Cinematographer |
1950 | |||
Under My Skin
Cinematographer |
1950 | |||
Where the Sidewalk Ends
Cinematographer |
1950 | |||
Come to the Stable
Cinematographer |
1949 | |||
|
Everybody Does It
Cinematographer |
1949 | |||
|
The Fan
Cinematographer |
1949 | |||
|
Deep Waters
Cinematographer |
1948 | |||
|
In This Corner
Cinematographer |
1948 | |||
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Road House
Cinematographer |
1948 | |||
The Luck of the Irish
Cinematographer |
1948 | |||
|
The Foxes of Harrow
Cinematographer |
1947 | |||
|
The Late George Apley
Cinematographer |
1947 | |||
|
Claudia and David
Cinematographer |
1946 | |||
|
Cluny Brown
Cinematographer |
1946 | |||
Doll Face
Cinematographer |
1946 | |||
|
A Bell for Adano
Cinematographer |
1945 | |||
Fallen Angel
Cinematographer |
1945 | |||
Hangover Square
Cinematographer |
1945 | |||
|
Bermuda Mystery
Cinematographer |
1944 | |||
Laura
Cinematographer |
1944 | |||
|
Take It or Leave It
Cinematographer |
1944 | |||
|
The Eve of St. Mark
Cinematographer |
1944 | |||
|
The Happy Land
Cinematographer |
1943 | |||
How Green Was My Valley
Camera Operator |
1941 |
