John F. Seitz was a prominent American cinematographer during the silent and sound eras. Seitz, the younger brother of director George B. Seitz, began his film career as a 16-year-old lab technician; by 1916, he had become a cameraman for feature films. Seitz collaborated with director Rex Ingram on films such as The Four Horsemen of the Apocalypse during the 1920s. It was in this time period that Seitz invented the matte shot (in which a large painting is photographed separately and later added to a scene to expand it, add unusual effects, or create a sense of depth in backgrounds); he also was noted for his innovations with low-key lighting. During the 1940s, he worked on many major productions, particularly those of Sturges and Wilder. Seitz retired from cinematography in 1960 and went on to perform many lab experiments resulting in 18 patents for his photographic inventions.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
Guns of the Timberlands
Cinematographer |
1960 | |||
|
Island of Lost Women
Cinematographer |
1959 | |||
|
The Man in the Net
Cinematographer |
1959 | |||
|
The Badlanders
Cinematographer |
1958 | |||
|
The Deep Six
Cinematographer |
1958 | |||
|
The Big Land
Cinematographer |
1957 | |||
|
A Cry in the Night
Cinematographer |
1956 | |||
|
Santiago
Cinematographer |
1956 | |||
|
Hell on Frisco Bay
Cinematographer |
1955 | |||
|
Many Rivers to Cross
Cinematographer |
1955 | |||
|
The McConnell Story
Cinematographer |
1955 | |||
|
Rogue Cop
Cinematographer |
1954 | |||
|
Saskatchewan
Cinematographer |
1954 | |||
|
The Rocket Man
Cinematographer |
1954 | |||
|
Botany Bay
Cinematographer |
1953 | |||
|
Desert Legion
Cinematographer |
1953 | |||
|
Invaders From Mars
Cinematographer |
1953 | |||
|
The Savage
Cinematographer |
1953 | |||
|
The Iron Mistress
Cinematographer |
1952 | |||
|
The San Francisco Story
Cinematographer |
1952 | |||
|
Appointment with Danger
Cinematographer |
1951 | |||
|
Dear Brat
Cinematographer |
1951 | |||
|
When Worlds Collide
Cinematographer |
1951 | |||
|
Captain Carey, U.S.A
Cinematographer |
1950 | |||
|
Sunset Boulevard
Cinematographer |
1950 | |||
|
The Goldbergs
Cinematographer |
1950 | |||
|
Chicago Deadline
Cinematographer |
1949 | |||
|
The Great Gatsby
Cinematographer |
1949 | |||
|
Beyond Glory
Cinematographer |
1948 | |||
|
Night Has a Thousand Eyes
Cinematographer |
1948 | |||
|
On Our Merry Way
Cinematographer |
1948 | |||
|
Saigon
Cinematographer |
1948 | |||
|
The Big Clock
Cinematographer |
1948 | |||
|
Calcutta
Cinematographer |
1947 | |||
|
The Imperfect Lady
Cinematographer |
1947 | |||
|
Wild Harvest
Cinematographer |
1947 | |||
|
Home Sweet Homicide
Cinematographer |
1946 | |||
|
The Well-Groomed Bride
Cinematographer |
1946 | |||
|
The Lost Weekend
Cinematographer |
1945 | |||
|
The Unseen
Actor, Cinematographer |
1945 | |||
|
Casanova Brown
Cinematographer |
1944 | |||
|
Double Indemnity
Cinematographer |
1944 | |||
|
Hail the Conquering Hero
Cinematographer |
1944 | |||
|
The Hour Before the Dawn
Cinematographer |
1944 | |||
|
The Miracle of Morgan's Creek
Cinematographer |
1944 | |||
|
Five Graves to Cairo
Cinematographer |
1943 | |||
|
The Moon and Sixpence
Cinematographer |
1943 | |||
|
Fly by Night
Cinematographer |
1942 | |||
|
Lucky Jordan
Cinematographer |
1942 | |||
|
This Gun for Hire
Cinematographer |
1942 | |||
|
Sullivan's Travels
Cinematographer |
1941 | |||
|
A Little Bit of Heaven
Cinematographer |
1940 | |||
|
Dr. Kildare's Crisis
Cinematographer |
1940 | |||
|
Dr. Kildare's Strange Case
Cinematographer |
1940 | |||
|
6,000 Enemies
Cinematographer |
1939 | |||
|
Bad Little Angel
Cinematographer |
1939 | |||
|
Sergeant Madden
Cinematographer |
1939 | |||
|
The Adventures of Huckleberry Finn
Cinematographer |
1939 | |||
|
The Hardys Ride High
Cinematographer |
1939 | |||
|
Thunder Afloat
Cinematographer |
1939 | |||
|
Lord Jeff
Cinematographer |
1938 | |||
|
Love Is a Headache
Cinematographer |
1938 | |||
|
Stablemates
Cinematographer |
1938 | |||
|
The Crowd Roars
Cinematographer |
1938 | |||
|
Young Dr. Kildare
Cinematographer |
1938 | |||
|
Between Two Women
Cinematographer |
1937 | |||
|
Madame X
Cinematographer |
1937 | |||
|
Navy Blue and Gold
Cinematographer |
1937 | |||
|
15 Maiden Lane
Cinematographer |
1936 | |||
|
Captain January
Cinematographer |
1936 | |||
|
Navy Wife
Cinematographer |
1936 | |||
|
Poor Little Rich Girl
Cinematographer |
1936 | |||
|
The Country Doctor
Cinematographer |
1936 | |||
|
Curly Top
Cinematographer |
1935 | |||
|
Helldorado
Cinematographer |
1935 | |||
|
One More Spring
Cinematographer |
1935 | |||
|
Our Little Girl
Cinematographer |
1935 | |||
|
Redheads on Parade
Cinematographer |
1935 | |||
|
The Farmer Takes a Wife
Cinematographer |
1935 | |||
|
The Littlest Rebel
Cinematographer |
1935 | |||
|
All Men Are Enemies
Cinematographer |
1934 | |||
|
Coming Out Party
Cinematographer |
1934 | |||
|
Marie Galante
Cinematographer |
1934 | |||
|
Springtime for Henry
Cinematographer |
1934 | |||
|
Adorable
Cinematographer |
1933 | |||
|
Dangerously Yours
Cinematographer |
1933 | |||
|
Ladies They Talk About
Cinematographer |
1933 | |||
|
Mr. Skitch
Cinematographer |
1933 | |||
|
Paddy, the Next Best Thing
Cinematographer |
1933 | |||
|
Careless Lady
Cinematographer |
1932 | |||
|
Passport to Hell
Cinematographer |
1932 | |||
|
She Wanted a Millionaire
Cinematographer |
1932 | |||
|
Six Hours to Live
Cinematographer |
1932 | |||
|
The Woman in Room 13
Cinematographer |
1932 | |||
|
East Lynne
Cinematographer |
1931 | |||
|
Hush Money
Cinematographer |
1931 | |||
|
Men of the Sky
Cinematographer |
1931 | |||
|
Merely Mary Ann
Cinematographer |
1931 | |||
|
Misbehaving Ladies
Cinematographer |
1931 | |||
|
Over the Hill
Cinematographer |
1931 | |||
|
The Age for Love
Cinematographer |
1931 | |||
|
The Right of Way
Cinematographer |
1931 | |||
|
Young Sinners
Cinematographer |
1931 | |||
|
Back Pay
Cinematographer |
1930 | |||
|
In the Next Room
Cinematographer |
1930 | |||
|
Kismet
Cinematographer |
1930 | |||
|
Murder Will Out
Cinematographer |
1930 | |||
|
Road to Paradise
Cinematographer |
1930 | |||
|
Sweethearts and Wives
Cinematographer |
1930 | |||
|
The Bad Man
Cinematographer |
1930 | |||
|
A Most Immoral Lady
Cinematographer |
1929 | |||
|
Careers
Cinematographer |
1929 | |||
|
Hard to Get
Cinematographer |
1929 | |||
|
Her Private Life
Cinematographer |
1929 | |||
|
Saturday's Children
Cinematographer |
1929 | |||
|
The Divine Lady
Cinematographer |
1929 | |||
|
The Painted Angel
Cinematographer |
1929 | |||
|
The Squall
Cinematographer |
1929 | |||
|
Across to Singapore
Cinematographer |
1928 | |||
|
Adoration
Cinematographer |
1928 | |||
|
Outcast
Cinematographer |
1928 | |||
|
The Patsy
Cinematographer |
1928 | |||
|
The Trail of '98
Cinematographer |
1928 | |||
|
The Fair Co-Ed
Cinematographer |
1927 | |||
|
Magician
Cinematographer |
1926 | |||
|
Mare Nostrum
Cinematographer |
1926 | |||
|
Classmates
Cinematographer |
1924 | |||
|
The Arab
Cinematographer |
1924 | |||
|
The Price of a Party
Cinematographer |
1924 | |||
|
Scaramouche
Cinematographer |
1923 | |||
|
Where the Pavement Ends
Cinematographer |
1923 | |||
|
The Prisoner of Zenda
Cinematographer |
1922 | |||
|
Trifling Women
Cinematographer |
1922 | |||
|
Turn to the Right
Cinematographer |
1922 | |||
|
The Conquering Power
Cinematographer |
1921 | |||
|
The Four Horsemen of the Apocalypse
Cinematographer |
1921 | |||
|
Uncharted Seas
Cinematographer |
1921 | |||
|
Hearts Are Trumps
Cinematographer |
1920 | |||
|
Beauty and the Rogue
Cinematographer |
1918 |








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