The older brother of director Robert Asher, cinematographer Jack Asher was involved in the British film industry from 1930 on. Graduating to lighting cameraman after World War II, Asher worked on Gothic mellers like Jassy (1947) and contemporary dramas like The Astonished Heart (1950). He is best known for his vivid (albeit slightly overlit) color camerawork on such Hammer Studios horrors as The Revenge of Frankenstein (1958), The Horror of Dracula (1958), The Hound of the Baskervilles (1959), The Mummy (1959) and The Two Faces of Dr. Jekyll (1960). In 1961, Jack Asher and his brother Robert co-produced, She'll Have to Go, with Jack manning the cameras while Robert co-wrote and co-directed.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
The Early Bird
Cinematographer |
1965 | |||
|
The Intelligence Men
Cinematographer |
1965 | |||
|
The Secret of Blood Island
Cinematographer |
1965 | |||
|
A Stitch in Time
Cinematographer |
1963 | |||
|
Maid for Murder
Cinematographer, Producer |
1963 | |||
|
The Crimson Blade
Cinematographer |
1963 | |||
|
She'll Have to Go
Cinematographer |
1962 | |||
|
The Brides of Dracula
Cinematographer |
1960 | |||
|
The Bulldog Breed
Cinematographer |
1960 | |||
|
Two Faces of Dr. Jekyll
Cinematographer |
1960 | |||
|
Follow a Star
Cinematographer |
1959 | |||
|
The Hound of the Baskervilles
Cinematographer |
1959 | |||
|
The Man Who Could Cheat Death
Cinematographer |
1959 | |||
|
The Mummy
Cinematographer |
1959 | |||
|
Room 43
Cinematographer |
1958 | |||
|
The Camp on Blood Island
Cinematographer |
1958 | |||
|
The Horror of Dracula
Cinematographer |
1958 | |||
|
The Revenge of Frankenstein
Cinematographer |
1958 | |||
|
The Snorkel
Cinematographer |
1958 | |||
|
The Steel Bayonet
Cinematographer |
1958 | |||
|
The Curse of Frankenstein
Cinematographer |
1957 | |||
|
Reach for the Sky
Cinematographer |
1956 | |||
|
Shadow of Fear
Cinematographer |
1956 | |||
|
Cast a Dark Shadow
Cinematographer |
1955 | |||
|
The Secret
Cinematographer |
1955 | |||
|
Chance Meeting
Cinematographer |
1954 | |||
|
Fast and Loose
Cinematographer |
1954 | |||
|
The Good Die Young
Cinematographer |
1954 | |||
|
After the Ball
Cinematographer |
1953 | |||
|
Albert, R.N.
Cinematographer |
1953 | |||
|
Cosh Boy
Cinematographer |
1953 | |||
|
Grand National Night
Cinematographer |
1953 | |||
|
Twilight Women
Cinematographer |
1953 | |||
|
A Killer Walks
Cinematographer |
1952 | |||
|
Girdle of Gold
Cinematographer |
1952 | |||
|
Women of Twilight
Cinematographer |
1952 | |||
|
Hell Is Sold Out
Cinematographer |
1951 | |||
|
Lilli Marlene
Cinematographer |
1951 | |||
|
The Astonished Heart
Cinematographer |
1950 | |||
|
The Lost People
Cinematographer |
1950 | |||
|
Helter Skelter
Cinematographer |
1949 | |||
|
The Lost People
Cinematographer |
1949 | |||
|
Easy Money
Cinematographer |
1948 | |||
|
Jassy
Cinematographer |
1948 | |||
|
Portrait from Life
Cinematographer |
1948 | |||
|
The Magic Bow
Cinematographer |
1947 |


