American cinematographer Peverell Marley joined the film industry soon after his high-school graduation as a worker for Famous Players-Lasky. By the time he was 22, he had already assisted with the filming of De Mille's 1923 version of The Ten Commandments. He continued working on many other early De Mille epics; during the sound era, he began working for others at MGM, Fox, and Warners where he was noted for his technical craftsmanship.
| Title | Year | Editors' Rating | User Rating | |
|---|---|---|---|---|
|
A Fever in the Blood
Cinematographer |
1961 | |||
The Sins of Rachel Cade
Cinematographer |
1960 | |||
Westbound
Cinematographer |
1959 | |||
The Left-Handed Gun
Cinematographer |
1958 | |||
The Rifleman: The Marshall
Cinematographer |
1958 | |||
Johnny Trouble
Cinematographer |
1957 | |||
The Spirit of St. Louis
Cinematographer |
1957 | |||
Serenade
Cinematographer |
1956 | |||
|
The Steel Jungle
Cinematographer |
1956 | |||
The Ten Commandments
Cinematographer |
1956 | |||
Illegal
Cinematographer |
1955 | |||
|
Jump into Hell
Cinematographer |
1955 | |||
Drum Beat
Cinematographer |
1954 | |||
King Richard and the Crusaders
Cinematographer |
1954 | |||
Phantom of the Rue Morgue
Cinematographer |
1954 | |||
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House of Wax
Cinematographer |
1953 | |||
Off Limits
Cinematographer |
1953 | |||
The Charge at Feather River
Cinematographer |
1953 | |||
The Greatest Show on Earth
Cinematographer |
1952 | |||
The Groom Wore Spurs
Cinematographer |
1951 | |||
Kiss Tomorrow Goodbye
Cinematographer |
1950 | |||
Perfect Strangers
Cinematographer |
1950 | |||
Pretty Baby
Cinematographer |
1950 | |||
Return of the Frontiersman
Cinematographer |
1950 | |||
Homicide
Cinematographer |
1949 | |||
John Loves Mary
Cinematographer |
1949 | |||
Look for the Silver Lining
Cinematographer |
1949 | |||
Night Unto Night
Cinematographer |
1949 | |||
Whiplash
Cinematographer |
1948 | |||
Life With Father
Cinematographer |
1947 | |||
The Two Mrs. Carrolls
Cinematographer |
1947 | |||
Night and Day
Cinematographer |
1946 | |||
Of Human Bondage
Cinematographer |
1946 | |||
Pride of the Marines
Cinematographer |
1945 | |||
Four Jills in a Jeep
Cinematographer |
1944 | |||
|
Sensations of 1945
Cinematographer |
1944 | |||
|
Dixie Dugan
Cinematographer |
1943 | |||
|
The Meanest Man in the World
Cinematographer |
1943 | |||
|
The Magnificent Dope
Cinematographer |
1942 | |||
|
The Night Before the Divorce
Cinematographer |
1942 | |||
Adam Had Four Sons
Cinematographer |
1941 | |||
Charley's Aunt
Cinematographer |
1941 | |||
Moon over Miami
Cinematographer |
1941 | |||
Sleepers West
Cinematographer |
1941 | |||
|
Swamp Water
Cinematographer |
1941 | |||
The Great American Broadcast
Cinematographer |
1941 | |||
|
Hudson's Bay
Cinematographer |
1940 | |||
|
Star Dust
Cinematographer |
1940 | |||
|
The Man I Married
Cinematographer |
1940 | |||
|
Day-Time Wife
Cinematographer |
1939 | |||
|
Hotel for Women
Cinematographer |
1939 | |||
The Hound of the Baskervilles
Cinematographer |
1939 | |||
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The Three Musketeers
Cinematographer |
1939 | |||
Alexander's Ragtime Band
Cinematographer |
1938 | |||
In Old Chicago
Cinematographer |
1938 | |||
|
Sally, Irene and Mary
Cinematographer |
1938 | |||
|
Suez
Cinematographer |
1938 | |||
|
Up the River
Cinematographer |
1938 | |||
The Toast of New York
Cinematographer |
1937 | |||
|
Wise Girl
Cinematographer |
1937 | |||
|
Women of Glamour
Cinematographer |
1937 | |||
|
It Had to Happen
Cinematographer |
1936 | |||
|
King of Burlesque
Cinematographer |
1936 | |||
One Rainy Afternoon
Cinematographer |
1936 | |||
|
Private Number
Cinematographer |
1936 | |||
|
Sing, Baby, Sing
Cinematographer |
1936 | |||
Winterset
Cinematographer |
1936 | |||
|
Cardinal Richelieu
Cinematographer |
1935 | |||
|
Clive of India
Cinematographer |
1935 | |||
|
Folies Bergère
Cinematographer |
1935 | |||
Let 'em Have It
Cinematographer |
1935 | |||
|
Thanks a Million
Cinematographer |
1935 | |||
The Three Musketeers
Cinematographer |
1935 | |||
|
Bulldog Drummond Strikes Back
Cinematographer |
1934 | |||
|
Gallant Lady
Cinematographer |
1934 | |||
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The Count of Monte Cristo
Cinematographer |
1934 | |||
|
The House of Rothschild
Cinematographer |
1934 | |||
|
The Mighty Barnum
Cinematographer |
1934 | |||
Fast Workers
Cinematographer |
1933 | |||
Her Secret
Cinematographer |
1933 | |||
|
India Speaks
Cinematographer |
1933 | |||
|
This Day and Age
Cinematographer |
1933 | |||
|
A Repulo Arany
Cinematographer |
1932 | |||
|
Itel a Balaton
Cinematographer |
1932 | |||
|
Marie Legende Hongroise
Cinematographer |
1932 | |||
|
Tavaszi Zapor
Cinematographer |
1932 | |||
|
Wicked
Cinematographer |
1931 | |||
|
Dynamite
Cinematographer |
1930 | |||
It's a Great Life
Cinematographer |
1930 | |||
The Woman Racket
Cinematographer |
1930 | |||
|
This Mad World
Cinematographer |
1930 | |||
The Godless Girl
Cinematographer |
1929 | |||
A Lady of Chance
Cinematographer |
1928 | |||
|
Celebrity
Cinematographer |
1928 | |||
|
Power
Cinematographer |
1928 | |||
|
Show Folks
Cinematographer |
1928 | |||
Chicago
Cinematographer |
1927 | |||
|
Country Doctor
Cinematographer |
1927 | |||
|
Dress Parade
Cinematographer |
1927 | |||
|
Fighting Eagle
Cinematographer |
1927 | |||
The King of Kings
Cinematographer |
1927 | |||
|
Her Man O'war
Cinematographer |
1926 | |||
|
Silence
Cinematographer |
1926 | |||
The Volga Boatmen
Cinematographer |
1926 | |||
|
Three Faces East
Cinematographer |
1926 | |||
|
Forty Winks
Cinematographer |
1925 | |||
|
Golden Bed
Cinematographer |
1925 | |||
|
Hell's Highroad
Cinematographer |
1925 | |||
|
The Night Club
Cinematographer |
1925 | |||
|
The Road to Yesterday
Cinematographer |
1925 | |||
|
Feet of Clay
Cinematographer |
1924 | |||
|
Triumph
Cinematographer |
1924 | |||
The Ten Commandments
Cinematographer |
1923 |
